A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 56
Página 77
... contemporary and realistic scenes has already been noted . Shakespeare had chosen another way , and although his drama is thronged with contemporary figures the scene itself in the comedies is normally set outside England . In the ...
... contemporary and realistic scenes has already been noted . Shakespeare had chosen another way , and although his drama is thronged with contemporary figures the scene itself in the comedies is normally set outside England . In the ...
Página 150
... contemporary dramatist has repudiated . ' Some assessment of the ' contemporary dramatist ' in England will be found at the conclusion of this volume . Here let it merely be stated that Shaw's work has a range and brilliance with which ...
... contemporary dramatist has repudiated . ' Some assessment of the ' contemporary dramatist ' in England will be found at the conclusion of this volume . Here let it merely be stated that Shaw's work has a range and brilliance with which ...
Página 193
... contemporary counterpart to all this exuberance . He had a fascinating control of words , which had a compelling interest for him as they had for Shakespeare , and all that he wrote was in vivid contrast to the plain prose of realistic ...
... contemporary counterpart to all this exuberance . He had a fascinating control of words , which had a compelling interest for him as they had for Shakespeare , and all that he wrote was in vivid contrast to the plain prose of realistic ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote