A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 53
... action was not merely a story , but arose out of a world whose atmosphere and values were imagined in the verse . Despite the Italian atmosphere there is no world behind the play , as in Hamlet , to give reality to the whole action ...
... action was not merely a story , but arose out of a world whose atmosphere and values were imagined in the verse . Despite the Italian atmosphere there is no world behind the play , as in Hamlet , to give reality to the whole action ...
Página 60
... action . Comedy , though retained , is given a subsidiary place and is worked into subtle , even poignant , contrast with the main action as in Hamlet and King Lear . Language , parti- cularly in the use of imagery , gains an enhanced ...
... action . Comedy , though retained , is given a subsidiary place and is worked into subtle , even poignant , contrast with the main action as in Hamlet and King Lear . Language , parti- cularly in the use of imagery , gains an enhanced ...
Página 100
... action is confusedly conducted . The figure of Hecate and the witches ' songs were transcribed from this into the corrupt Folio text of Macbeth . Of William Rowley little is known except that he was an actor and that he collaborated ...
... action is confusedly conducted . The figure of Hecate and the witches ' songs were transcribed from this into the corrupt Folio text of Macbeth . Of William Rowley little is known except that he was an actor and that he collaborated ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote