A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 159
... London had some degree of slackening in air - attacks , and in 1942 many London theatres were re - opened , though under difficult conditions . On the whole , audiences preferred revivals of well established plays rather than untried ...
... London had some degree of slackening in air - attacks , and in 1942 many London theatres were re - opened , though under difficult conditions . On the whole , audiences preferred revivals of well established plays rather than untried ...
Página 162
... London with plays such as Shaw's Heartbreak House and St Joan . In addition , during the ' thirties , he established the Malvern Festival , mainly devoted to Shaw , but also successfully introducing to the London stage plays such as ...
... London with plays such as Shaw's Heartbreak House and St Joan . In addition , during the ' thirties , he established the Malvern Festival , mainly devoted to Shaw , but also successfully introducing to the London stage plays such as ...
Página 177
... London , 1892 ) long maintained a seem- ingly effortless conquest of the London stage , and he was one who had never admitted that the theatre could be held within the confines of realism . Sir James Barrie ( 1860-1937 ) , the son of a ...
... London , 1892 ) long maintained a seem- ingly effortless conquest of the London stage , and he was one who had never admitted that the theatre could be held within the confines of realism . Sir James Barrie ( 1860-1937 ) , the son of a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote