A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 8
Página 28
... Italian models . It is a warning how incomplete are the records on which the history of drama is based , for the text of ... Italy , and , in tragedy , the influence of Seneca . All this disturbed any regular native development from the ...
... Italian models . It is a warning how incomplete are the records on which the history of drama is based , for the text of ... Italy , and , in tragedy , the influence of Seneca . All this disturbed any regular native development from the ...
Página 67
... Italy , where Shakespeare had placed it , and normally sets his vigorous themes , with the notable exception of Volpone , in con- temporary England . He did not at once achieve this increase in realism , for the first version of Every ...
... Italy , where Shakespeare had placed it , and normally sets his vigorous themes , with the notable exception of Volpone , in con- temporary England . He did not at once achieve this increase in realism , for the first version of Every ...
Página 87
... Italian themes and the plots are loosely connected with events which happened in sixteenth - century Italy . Love and revenge are the motives in both plays , and behind them , governing the action and illuminated by the verse , is a ...
... Italian themes and the plots are loosely connected with events which happened in sixteenth - century Italy . Love and revenge are the motives in both plays , and behind them , governing the action and illuminated by the verse , is a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote