Yet haply there will come a weary day, When over-task'd at length
Both Love and HOPE beneath the load give way, Then with a statue's smile, a statue's strength, Stands the mute sister, PATIENCE, nothing loth, And both supporting does the work of both.
medio de fonte leporum Surgit amari aliquid.-Lucret.
JULIA was blest with beauty, wit, and grace: Small poets loved to sing her blooming face. Before her altars, lo! a numerous train Preferr'd their vows; yet all preferr'd in vain : Till charming Florio, born to conquer, came, And touch'd the fair one with an equal flame.
EX IMPROVISA ON HEARING A SONG IN PRAISE OF A The flame she felt, and ill could she conceal
LADY'S BEAUTY.
"Tis not the lily brow I prize,
Nor roseate cheeks, nor sunny eyes, Enough of lilies and of roses!
A thousand fold more dear to me The gentle look that love discloses, The look that love alone can see.
THE POET'S ANSWER TO A LADY'S QUESTION RESPECTING THE ACCOMPLISH- MENTS MOST DESIRABLE IN AN INSTRUCTRESS OF
O'ER wayward childhood would'st thou hold firm rule, And sun thee in the light of happy faces; LOVE, HOPE, and PATIENCE, these must be thy Graces, And in thine own heart let them first keep school. For as old Atlas on his broad neck places Heaven's starry globe, and there sustains it; so o these upbear the little world below Of Education, PATIENCE, LOVE, and HOPE. Methinks, I see them group'd in seemly show, The straiten'd arms upraised, the palms aslope And robes that touching, as adown they flow, Distinctly blend, like snow emboss'd in snow. O part them never! If HOPE prostrate lie,
LOVE too will sink and die. But Love is subtle, and will proof derive From her own life that HOPE is yet alive. And bending o'er, with soul-transfusing eyes, And the soft murmurs of the Mother Dove, Wooes back the fleeting spirit, and half supplies: Thus Love repays to HOPE what HOPE first gave to LOVE.
†The German name of Cologne.
Of the eleven thousand virgin martyrs.
As Necessity is the mother of Invention, and extremes beget each other, the fact above recorded may explain how this ancient town (which, alas! as sometimes happens with veni
son, has been kept too long.) came to be the birth-place of the most fragrant of spirituous fluids, the Eau de Cologne.
What every look and action would reveal. With boldness then, which seldom fails to move, He pleads the cause of marriage and of love; The course of hymeneal joys he rounds,
The fair one's eyes dance pleasure at the sounds. Nought now remain'd but "Noes"-how little
And the sweet coyness that endears consent. The youth upon his knees enraptured fell:- The strange misfortune, oh! what words can tell? Tell! ye neglected sylphs! who lap-dogs guard, Why snatch'd ye not away your precious ward? Why suffer'd ye the lover's weight to fall On the ill-fated neck of much-loved Ball? The favorite on his mistress casts his eyes, Gives a short melancholy howl, and dies! Sacred his ashes lie, and long his rest! Anger and grief divide poor Julia's breast. Her eyes she fix'd on guilty Florio first, On him the storm of angry grief must burst. That storm he fled :- he wooes a kinder fair, Whose fond affections no dear puppies share. "T were vain to tell how Julia pined away;— Unhappy fair, that in one luckless day (From future almanacs the day be cross'd!) At once her lover and her lap-dog lost!
TO THE REV. W. I. HORT
HUSH! ye clamorous cares, be mute! Again dear harmonist, again Through the hollow of thy flute
Breathe that passion-warbled strain ; Till memory back each form shall bring The loveliest of her shadowy throng, And hope, that soars on sky-lark's wing, Shall carol forth her gladdest song!
O skill'd with magic spell to roll
The thrilling tones that concentrate the soul! Breathe through thy flute those tender notes again, While near thee sits the chaste-eyed maiden mild; And bid her raise the poet's kindred strain In soft impassion'd voice, correctly wild.
In freedom's undivided dell
SISTER of lovelorn poets, Philomel! How many bards in city garrets pent, While at their window they with downward eye Mark the faint lamp-beam on the kennell'd mud, And listen to the drowsy cry of the watchmen, (Those hoarse unfeather'd nightingales of time!) How many wretched bards address the name, And hers, the full-orb'd queen, that shines above. But I do hear thee, and the high bough mark, Within whose mild moon-mellow'd foliage hid,
Where toil and health with mellow'd love shall dwell: Thou warblest sad thy pity-pleading strains.
Far from folly, far from men,
In the rude romantic glen,
Up the cliff, and through the glade, Wand'ring with the dear loved maid, I shall listen to the lay
And ponder on the far away;
Still as she bids those thrilling notes aspire, 'Making my fond attuned heart her lyre), Thy honor'd form, my friend! shall reappear, And I will thank thee with a raptured tear!
WITH AN UNFINISHED POEM.
THUS far my scanty brain hath built the rhym Elaborate and swelling;-yet the heart Not owns it. From thy spirit-breathing powers 1 ask not now, my friend! the aiding verse Tedious to thee, and from thy anxious thought Of dissonant mood. In fancy (well I know) From business wand'ring far and local cares Thou creepest round a dear loved sister's bed, With noiseless step, and watchest the faint look, Soothing each pang with fond solicitudes And tenderest tones medicinal of love. I, too, a sister had, an only sister-
She loved me dearly, and I doted on her;
To her I pour'd forth all my puny sorrows; (As a sick patient in a nurse's arms) And of the heart those hidden maladies That e'en from friendship's eye will shrink ashamed. O! I have waked at midnight, and have wept Because she was not!-Cheerily, dear Charles! Thou thy best friend shall cherish many a year; Such warm presages feel I of high hope! For not uninterested the dear maid
I've view'd-her soul affectionate yet wise, Her polish'd wit as mild as lambent glories That play around a sainted infant's head. He knows (the Spirit that in secret sees, Of whose omniscient and all-spreading love Aught to implore were impotence of mind!)
Oh, I have listen'd, till my working soul, Waked by those strains to thousand phantasies, Absorb'd, hath ceased to listen! Therefore oft I hymn thy name; and with a proud delight Oft will I tell thee, minstrel of the moon Most musical, most melancholy bird! That all thy soft diversities of tone, Though sweeter far than the delicious airs That vibrate from a white-arm'd lady's harp, What time the languishment of lonely love Melts in her eye, and heaves her breast of snow Are not so sweet, as is the voice of her, My Sara best beloved of human kind! When breathing the pure soul of tenderness, She thrills me with the husband's promised name! 1794.
Cease, restless gale," it seems to say,
"Nor wake me with thy sighing:
The honours of my vernal day On rapid wings are flying.
"To-morrow shall the traveller come, That erst beheld me blooming; His searching eye shall vainly roam The dreary vale of Sumin."
With eager gaze and wetted cheek My wanton haunts along, Thus, lovely maiden, thou shalt seek The youth of simplest song.
But I along the breeze will roll
The voice of feeble power, And dwell, the moon-beam of thy soul, In slumber's nightly hour
My gentle love! caressing and caress'd, With heaving heart shall cradle me to rest; Shed the warm tear-drop from her smiling eyes, Lull the fond woe, and med'cine me with sighs; While finely-flushing float her kisses meek, Like melted rubies, o'er my pallid cheek. Chill'd by the night, the drooping rose of May
If we except Lucretius and Statius, I know no Latin poet, ancient or modern, who has equalled Casimir in boldness of conception, opulence of fancy, or beauty of versification. The odes of this illustrious Jesuit were translated into English about 150 years ago, by a G. Hils, I think. I never saw the transla-Mourns the long absence of the lovely day: tion. A few of the odes have been translated in a very animated manner by Watts. I have subjoined the third ode of the second Book, which, with the exception of the first line, is an effusion of exquisite elegance. In the imitation attempted I am sensible that I have destroyed the effect of suddenness, by translating into two stanzas what is one in the original. 1796.
Young day returning at the promised hour, Weeps o'er the sorrows of the fav'rite flower,— Weeps the soft dew, the balmy gale she sighs, And darts a trembling lustre from her eyes. New life and joy th' expanding flow'ret feels: His pitying mistress mourns, and mourning heals'
In calmer moments I have the firmest faith that my all things work together for good. But, alas! it seems a long and a dark process:
THESE, Virtue, are thy triumph, that adorn Fitliest our nature, and bespeak us born For loftiest action;-not to gaze and run From clime to clime; or batten in the sun, Dragging a drony flight from flower to flower, Like summer insects in a gaudy hour; Nor yet o'er lovesick tales with fancy range, And cry, "Tis pitiful, 't is passing strange!' But on life's varied views to look around, And raise expiring sorrow from the ground :- And he who thus hath borne his part assign'd In the sad fellowship of human kind, Or for a moment soothed the bitter pain Of a poor brother-has not lived in vain.
THE HOUR WHEN WE SHALL MEET AGAIN.
Composed during illness and in absence.)
DIM Hour! that sleep'st on pillowing clouds afar, Oh, rise and yoke the turtles to thy car! Bend o'er the traces, blame each lingering dove, And give me to the bosom of my love!
ON AN AMOROUS DOCTOR.
FROM Rufa's eye sly Cupid shot his dart, And left it sticking in Sengrado's heart. No quiet from that moment has he known, And peaceful sleep has from his eyelids flown; And opium's force, and what is more, alack! His own oration's, cannot bring it back: In short unless she pities his afflictions,
Despair will make him take his own prescriptions.
DEPART in joy from this world's noise and strife To the deep quiet of celestial life! Depart! Affection's self reproves the tear Which falls, O honour'd Parent! on thy bier;- Yet Nature will be heard, the heart will swell, And the voice tremble with a last Farewell!
(THE FIRST SEEN IN THE SEASON.)
-nitens, et roboris expers Turget et insolida est: at spe delectat.-Ovid.
THY smiles I note, sweet early flower, That peeping forth thy rustic bower The festive news of earth dost bring, A fragrant messenger of spring!
But tender blossom, why so pale? Dost hear stern winter in the gale? And didst thou tempt th' ungentle sky To catch one vernal glance and die?
Such the wan lustre sickness wears, When health's first feeble beam appears; So languid are the smiles that seek To settle on thy care-worn cheek! When timorous hope the head uprears, Still drooping and still moist with tears, If, through dispersing grief, be seen Of bliss the heavenly spark serene.
HOARSE Mævius reads his hobbling verse To all, and at all times;
And finds them both divinely smooth, His voice, as well as rhymes.
Yet folks say "Mævius is no ass:"- But Mævius makes it clear, That he's a monster of an ass, An ass without an ear.
INTRODUCTION TO THE TALE OF THE DARK LADIE.
THE following poem is intended as the introduction to a somewhat longer one. The use of the old ballad word Ladie for Lady, is the only piece of obsoleteness in it; and as it is professedly a tale of ancient times, I trust that the affectionate lovers of venerable antiquity, as Camden says, will grant me their pardon, and perhaps may be induced to admit a force and propriety in it. A heavier objection may be adduced against the author, that in these times of fear and expectation, when novelties explode around us in all directions, he should presume to offer to the public a silly tale of old-fashioned love: and five years ago, I own I should have allowed and felt the force of this objection. But alas! explosion after explosion has succeeded so rapidly, that novelty itself ceases to appear new; and it is possible that now, even a simple story wholly uninspired with politics or personality, may find some attention amid the hubbub of revolutions, as to those who have remained a long time by the falls of Niagara, the lowest whispering becomes distinctly audible.
O LEAVE the lily on its stem; O leave the rose upon the spray;
O leave the elder bloom, fair maids! And listen to my lay.
A cypress and a myrtle-bough
This morn around my harp you twined, Because it fashion'd mournfully
Its murmurs in the wind.
And now a tale of love and woe, A woful tale of love I sing; Hark, gentle maidens, hark: it sighs And trembles on the string. But most, my own dear Genevieve, It sighs and trembles most for thee! O come and hear the cruel wrongs Befell the Dark Ladie!
INSCRIPTION BY THE REV. W. S. BOWLES.
IN NETHER STOWEY CHURCH.
LÆTUS abi; mundi strepitu curisque remotus, Lætus abi! cœli qua vocat alma quies.
Ipsa Fides loquitur, lacrymanque incausat inamen, Quæ cadit in restros, care pater, cineres.
Heu! tantum liceat meritos hos soliere ritus Et longum tremula dicere voce, vale!
EPILOGUE TO THE RASH CONJUROR. AN UNCOMPOSED POEM.
WE ask and urge-(here ends the story.) All Christian Papishes to pay
That this unhappy conjuror may,
Instead of Hell, be put in Purgatory,—
For then there's hope ;
Long live the Pope!
THE butterfly the ancient Grecians made The soul's fair emblem, and its only name- But the soul escaped the slavish trade Of mortal life!-For in this earthly frame Ours is the reptile's lot, much toil, much blame, Manifold motions making little speed,
And to deform and kill the things whereon we feed. 1808.
How seldom, Friend! a good great man inherits Honor or wealth, with all his worth and pains! It sounds like stories from the land of spirits, If any man obtain that which he merits. Or any merit that which he obtains,
FOR Shame, dear Friend! renounce this canting strain! What would'st thou have a good man to obtain? Place-titles-salary-a gilded chain-
Or throne of corses which his sword hath slain ?- Greatness and goodness are not means, but ends! Hath he not always treasures, always friends, The great good man?-three treasures, love, and light, And calm thoughts, regular as infant's breath;- And three firm friends more sure than day and night- Himself, his Maker, and the angel Death.
APPOINTED FOR THE DEPARTURE OF A VERY WOR- THY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN.
I KNOW it is dark; and though I have lain Awake, as I guess, an hour or twain,
I have not once open'd the lids of my eyes, But lie in the dark, as a blind man lies. O Rain! that I lie listening to,
You're but a doleful sound at best: I owe you little thanks, 'tis true For breaking thus my needful rest, Yet if, as soon as it is light,
O Rain! you will but take your flight, I'll neither rail, nor malice keep, Though sick and sore for want of sleep. But only now for this one day, Do go, dear Rain! do go away!
O Rain! with your dull two-fold sound,
The clash hard by, and the murmur all round! You know, if you know aught, that we, Both night and day, but ill agree: For days, and months, and almost years, Have limp'd on through this vale of tears,
Since body of mine and rainy weather, Have lived on easy terms together Yet if as soon as it is light,
O Rain! you will but take your flight, Though you should come again to morrow, And bring with you both pain and sorrow; Though stomach should sicken, and knees shoulà swell-
I'll nothing speak of you but well.
But only for this one day,
Do go, dear Rain! do go away!
Dear Rain! I ne'er refuse to say You're a good creature in your way. Nay, I could write a book myself, Would fit a parson's lower shelf, Showing how very good you are.- What then? sometimes it must be fair, And if sometimes, why not to-day? dear Rain! do go away!
Dear Rain! if I've been cold and shy, Take no offence! I'll tell you why. A dear old Friend e'en now is here, And with him came my sister dear; After long absence now first met, Long months by pain and grief beset With three dear Friends! in truth, we groan Impatiently to be alone.
We three you mark! and not one more! The strong wish makes my spirit sore. We have so much to talk about, So many sad things to let out; So many tears in our eye-corners, Sitting like little Jacky Horners— In short, as soon as it is day,
go, dear Rain! do go away.
And this I'll swear to you, dear Rain! Whenever you shall come again,
Be you as dull as e'er you could; (And by the bye 't is understood, You're not so pleasant, as you're good ;) Yet, knowing well your worth and place, I'll welcome you with cheerful face; And though you stay a week or more, Were ten times duller than before; Yet with kind heart, and right good will, I'll sit and listen to you still;
Nor should you go away, dear Rain! Uninvited to remain,
But only now, for this one day, Do go, dear Rain! do go away.
OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPELS.
"THIS Paraphrase, written about the time of Charlemagne, is by no means deficient in occasional passages of considerable poetic merit. There is a flow and a tender enthusiasm in the following lines (at the
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