Selected Letters of William EmpsonJohn Haffenden OUP Oxford, 2006 M03 9 - 792 páginas This edited collection of letters by William Empson (1906-1984), one of the foremost writers and literary critics of the twentieth century, ranges across the entirety of his career. Parts of the correspondence record the development of ideas that were to come to fruition in seminal texts including Seven Types of Ambiguity, The Structure of Complex Words, and Milton's God. The topics of other letters range from Shakespeare's Dark Lady to Marvell's marriage and Byron's bisexuality. Empson relished correspondence that was combative, if not downright aggressive. As a result, parts of this edition take the form of a serial disputation with other critics of the period, including Frank Kermode, Helen Gardner, Philip Hobsbaum, and I. A. Richards. Other notable correspondents include A. Alvarez, Bonamy Dobrée, Leslie Fiedler, Graham Hough, C. K. Ogden, George Orwell, Kathleen Raine, John Crowe Ransom, Christopher Ricks, Laura Riding, A. L. Rowse, Stephen Spender, E. M. W. Tillyard, Rosemond Tuve, John Wain, and G. Wilson Knight. All readers of literary history and criticism will stand to benefit from this edition. Empson is universally credited as the man who 'invented' modern literary criticism, so that all of his writings make a signal addition to the canon of his works. This selection provides a context for the evaluation of Empson's total literary output; and in many letters Empson seeks to defend his ideas against both published and personal attacks. This volume not only fills in all the missing links, it adds up to a completely new volume of critical writings by Empson. |
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Página xiii
... sure she lived life to the full, even during the turnover associated with the arrival of Communist forces in Peking, wrote to a friend an undated letter (probably in April 1 WE, letter to John Hayward. 1950) which gives an insight into ...
... sure she lived life to the full, even during the turnover associated with the arrival of Communist forces in Peking, wrote to a friend an undated letter (probably in April 1 WE, letter to John Hayward. 1950) which gives an insight into ...
Página xxix
... sure that this letter will do no good, but at least that it will leave you “without excuse”.'41 Like the boy disclosing that the emperor has no clothes, Empson the truth-dealer declared the Christian God to be a grotesque and ...
... sure that this letter will do no good, but at least that it will leave you “without excuse”.'41 Like the boy disclosing that the emperor has no clothes, Empson the truth-dealer declared the Christian God to be a grotesque and ...
Página xxxiv
... sure, Empson represents himself as pursuing 'placid work', but his prose lacks exemplary animation; and the repeated expression of 'sympathy' appears flat and passive, not optimistic. The kindliness of the close is mixed up with ...
... sure, Empson represents himself as pursuing 'placid work', but his prose lacks exemplary animation; and the repeated expression of 'sympathy' appears flat and passive, not optimistic. The kindliness of the close is mixed up with ...
Página xl
... values it challenges, but it is hard to be sure in such a case just who is being the more parodied––the impressionists or their butts? Empson could expertly take off his mother––the 'old lady' of his poem 'To xl introduction.
... values it challenges, but it is hard to be sure in such a case just who is being the more parodied––the impressionists or their butts? Empson could expertly take off his mother––the 'old lady' of his poem 'To xl introduction.
Página xlix
... sure, there will come a time when a complete collection of Empson's letters will be called for in some form. In the meantime, this selection offers a fair gathering from the prodigious range of ideas, activities, and interests explored ...
... sure, there will come a time when a complete collection of Empson's letters will be called for in some form. In the meantime, this selection offers a fair gathering from the prodigious range of ideas, activities, and interests explored ...
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