Selected Letters of William EmpsonJohn Haffenden OUP Oxford, 2006 M03 9 - 792 páginas This edited collection of letters by William Empson (1906-1984), one of the foremost writers and literary critics of the twentieth century, ranges across the entirety of his career. Parts of the correspondence record the development of ideas that were to come to fruition in seminal texts including Seven Types of Ambiguity, The Structure of Complex Words, and Milton's God. The topics of other letters range from Shakespeare's Dark Lady to Marvell's marriage and Byron's bisexuality. Empson relished correspondence that was combative, if not downright aggressive. As a result, parts of this edition take the form of a serial disputation with other critics of the period, including Frank Kermode, Helen Gardner, Philip Hobsbaum, and I. A. Richards. Other notable correspondents include A. Alvarez, Bonamy Dobrée, Leslie Fiedler, Graham Hough, C. K. Ogden, George Orwell, Kathleen Raine, John Crowe Ransom, Christopher Ricks, Laura Riding, A. L. Rowse, Stephen Spender, E. M. W. Tillyard, Rosemond Tuve, John Wain, and G. Wilson Knight. All readers of literary history and criticism will stand to benefit from this edition. Empson is universally credited as the man who 'invented' modern literary criticism, so that all of his writings make a signal addition to the canon of his works. This selection provides a context for the evaluation of Empson's total literary output; and in many letters Empson seeks to defend his ideas against both published and personal attacks. This volume not only fills in all the missing links, it adds up to a completely new volume of critical writings by Empson. |
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... Lectures, 'The Metaphysical Poets of the Seventeenth Century', at Trinity College, Cambridge. Although Empson does not attend all the lectures, he takes part in informal conversations with Eliot. In a later year he will write in tribute ...
... Lectures, 'The Metaphysical Poets of the Seventeenth Century', at Trinity College, Cambridge. Although Empson does not attend all the lectures, he takes part in informal conversations with Eliot. In a later year he will write in tribute ...
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... lectures on 'Practical Criticism'; begins work towards Seven Types of Ambiguity; becomes president of The Heretics. November: launches avant-garde magazine, Experiment, co-edited with Jacob Bronowski, Humphrey Jennings, and Hugh Sykes ...
... lectures on 'Practical Criticism'; begins work towards Seven Types of Ambiguity; becomes president of The Heretics. November: launches avant-garde magazine, Experiment, co-edited with Jacob Bronowski, Humphrey Jennings, and Hugh Sykes ...
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... lecturing on 'The last Plays of Shakespeare and their Relation to the Elizabethan Theatre'. June–July: Fellow of the School of Letters, Indiana University, Bloomington, Indiana. 27 October: The Birth of Steel: A Light Masque performed ...
... lecturing on 'The last Plays of Shakespeare and their Relation to the Elizabethan Theatre'. June–July: Fellow of the School of Letters, Indiana University, Bloomington, Indiana. 27 October: The Birth of Steel: A Light Masque performed ...
Página lvi
... Lectures on 'The editorial choice of the text of a poem', at Magdalen College, Oxford. Publishes Coleridge's Verse: A Selection (with David B. Pirie). Visiting Professor, York University, Toronto. Lent Term: delivers Clark Lectures at ...
... Lectures on 'The editorial choice of the text of a poem', at Magdalen College, Oxford. Publishes Coleridge's Verse: A Selection (with David B. Pirie). Visiting Professor, York University, Toronto. Lent Term: delivers Clark Lectures at ...
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... Lecture (1929). Benedotto Croce (1866–1952), Italian critic and philosopher, was author of (among other works) Filosofia dello Spirito, in three volumes (1902, 1904, 1912). 1 Ian MacKillop, F. R. Leavis: A Life in Criticism Summer 1929 9.
... Lecture (1929). Benedotto Croce (1866–1952), Italian critic and philosopher, was author of (among other works) Filosofia dello Spirito, in three volumes (1902, 1904, 1912). 1 Ian MacKillop, F. R. Leavis: A Life in Criticism Summer 1929 9.
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