Imageless Truths: Shelley's Poetic FictionsUniversity of Pennsylvania Press, 1994 - 227 páginas In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature. |
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... insists on the existence of an unknowable , inaccessi- ble presence which cannot be articulated or even fully comprehended , indeed , if he insists on the integrity of a presence whom the more naïve interpreters of theology would garble ...
... insists throughout his life that he sacrifices virtually everything in the name of Truth , insists in " Essay on Christianity " that deceit can sometimes be justified . The kind of deceit operating in " Mont Blanc " and in figurative ...
... insists that not life but his own heart overcame him . But if “ neither age / Nor tears nor infamy nor now the tomb " ( 241-42 ) could , as he insists in the poem , temper his heart to “ its object , " then life could not sustain his ...
Contenido
To Spread a Charm Around the Spot | 10 |
The Awful Shadow of Some Unseen Power | 39 |
The Language of the Dead | 71 |
Derechos de autor | |
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Referencias a este libro
Shelley Among Others: The Play of the Intertext and the Idea of Language Stuart Peterfreund Vista previa limitada - 2002 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2005 |