Imageless Truths: Shelley's Poetic FictionsUniversity of Pennsylvania Press, 1994 - 227 páginas In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature. |
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... begin with Queen Mab is to begin with scrutiny of a youthful confidence and presumption which only barely mask a taut undercurrent of anxiety . But it is also to begin with glimmers of poetic and philosophic doubt which open up , in ...
... begins to present itself . Human understanding would seem to require a negotiation between two apparently opposed polarities : a life of perpetual uncertainty or a life of trying to predicate tangible attributes of an intangible ...
... begins the hymn not with a concrete locus in the tangible world , not with an overwhelming sense of the spiritual which is derived from the splendors of nature , but with a bold ( and yet vulnerable ) desire to articu- late immediately ...
Contenido
To Spread a Charm Around the Spot | 10 |
The Awful Shadow of Some Unseen Power | 39 |
The Language of the Dead | 71 |
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Referencias a este libro
Shelley Among Others: The Play of the Intertext and the Idea of Language Stuart Peterfreund Vista previa limitada - 2002 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2005 |