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ters had not skill enough to discover in their pupil any marks of genius for which he merited reward, or no vacancy at Oxford offered them an opportunity to bestow upon him the reward provided for merit by William of Wykeham; certain it is, that to an Oxford fellowship our poet did not succeed. By chance, or by choice, New college cannot claim the honour of numbering among its fellows him who wrote the Night Thoughts.

On the 13th of October, 1703, he was entered an independent member of new college, that he might live at little expense in the warden's lodgings, who was a particular friend of his father's, till he should be qualified to stand for a fellowship at All Souls. In a few months the warden of New college died. He then removed to Corpus college. The president of this society, from regard also for his father, invited him thither, in order to lessen his academical expenses. In 1708, he was nominated to a law fellowship at All Souls by archbishop Tenison, into whose hands it came by devolution. Such repeated patronage, while it justifies Burnet's praise of the father, reflects credit on the conduct of the son: the manner in which it was exerted seems to prove that the father did not leave behind much wealth.

On the 23d of April, 1714, Young took his degree of bachelor of civil laws, and his doctor's degree on the 10th of June, 1719.

Soon after he went to Oxford, he discovered, it is said, an inclination for pupils. Whether he ever commenced tutor is not known. None has hitherto boasted to have received his academical instruction from the author of the Night Thoughts.

It is probable that his college was proud of him no less as a scholar than as a poet; for in 1716, when the

foundation of the Codrington library was laid, two years after he had taken his bachelor's degree, Young was appointed to speak the Latin oration. This is at least particular for being dedicated in English "To the ladies of the Codrington family." To these ladies he says, that "he was unavoidably flung into a singularity, by being obliged to write an epistle dedicatory void of common-place, and such a one was never published before by any author whatever; that this practice absolved them from any obligation of reading what was presented to them; and that the bookseller approved of it, because it would make people stare, was absurd enough, and perfectly right."

Of this oration there is no appearance in his own edi. tion of his works; and prefixed to an edition by Curll and Tonson, 1741, is a letter from Young to Curll, if we may credit Curll, dated December the 9th, 1739, wherein he says, that he has not leisure to review what he formerly wrote, and adds, “ I have not the Epistle to lord Lansdowne.' If you will take my advice, I would have you omit that, and the oration on Codrington. I think the collection will sell better without them."

There are who relate, that, when first Young found himself independent, and his own master at All Souls, he was not the ornament to religion and morality which he afterwards became.

The authority of his father, indeed, had ceased, some time before, by his death; and Young was certainly not ashamed to be patronized by the infamous Wharton. But Wharton befriended in Young, perhaps, the poet, and particularly the tragedian. If virtuous authors must be patronized only by virtuous peers, who shall point them out?

Yet Pope is said by Ruff head to have told Warburton, that "Young had much of a sublime genius, though

without common sense; so that his genius, having no guide, was perpetually liable to degenerate into bombast. This made him pass a foolish youth, the sport of peers and poets : but his having a very good heart enabled him to support the clerical character when he assumed it, first with decency, and afterwards with honour."

They who think ill of Young's morality in the early part of his life, may perhaps be wrong; but Tindal could not err in his opinion of Young's warmth and ability in the cause of religion. Tindal used to spend much of his time at All Souls. "The other boys," said the atheist, "I can always answer, because I always know whence they have their arguments, which I have read a hundred times; but that fellow Young is continually pestering me with something of his own."*

After all, Tindal and the censurers of Young may be reconcileable. Young might, for two or three years, have tried that kind of life, in which his natural principles would not suffer him to wallow long. If this were so, he has left behind him not only his evidence in favour of virtue, but the potent testimony of experience against vice.

We shall soon see that one of his earliest productions was more serious than what comes from the generality of unfledged poets.

Young perhaps ascribed the good fortune of Addison to the "Poem to his Majesty," presented, with a copy

*As my great friend is now become the subject of biography, it should be told, that, every time I called upon Johnson during the time I was employed in collecting materials for this life and putting it together, he never suffered me to depart without some such fare well as this: "Dont't forget that rascal "Tindal, sir. Be sure to hang up the atheist." Alluding to this anecdote, which Johnson had mentioned to me.

of verses, to Somers; and hoped that he also might soar to wealth and honour on wings of the same kind. His first poetical flight was when queen Anne called up to the house of lords the sons of the earls of Northampton and Aylesbury, and added, in one day, ten others to the number of peers. In order to reconcile the people to one, at least, of the new lords, he published, in 1712, An Epistle to the Right Honourable George Lord Lansdowne. In this composition the poet pours out his panegyric with the extravagance of a young man, who thinks his present stock of wealth will never be exhausted.

The poem seems intended also to reconcile the public to the late peace. This is endeavoured to be done by shewing that men are slain in war, and that in peace "harvests wave, and commerce swells her sail." If this be humanity, for which he meant it; is it politics? Another purpose of this epistle appears to have been, to prepare the public for the reception of some tragedy he might have in hand. His lordship's patronage, he says, will not let him "repent his passion for the stage;" and the particular praise bestowed on "Othello" and "Oroonoko" looks as if some such character as Zanga was even then in contemplation. The affectionate mention of the death of his friend Harrison of New College, at the close of this poem, is an instance of Young's art, which displayed itself so wonderfully some time afterwards in the Night Thoughts, of making the public a party in his private sorrow.

Should justice call upon you to censure this poem, it ought at least to be remembered that he did not insert it in his works; and that in the letter to Curll, as we have seen, he advises its omission. The booksellers, in the late body of English poetry, should have distinguished what was deliberately rejected by the

respective authors.* This I shall be careful to do with regard to Young. "I think," says he, " the following pieces in four volumes to be the most excusable of all that I have written; and I wish less apology was needful for these. As there is no recalling what is got abroad, the pieces here republished I have revised and corrected, and rendered them as pardonable as it was in my power to do."

Shall the gates of repentance be shut only against literary sinners.

When Addison published "Cato" in 1713, Young had the honour of prefixing to it a recommendatory copy of verses. This is one of the pieces which the author of the Night Thoughts did not republish.

On the appearance of his Poem on the Last Day, Addison did not return Young's compliment; but The Englishman" of October 29th, 1713, which was probably written by Addison, speaks handsomely of this poem. The Last Day was published soon after the peace. The vice chancellor's imprimatur, for it was printed at Oxford, is dated March the 19th, 1713. From the exordium Young appears to have spent some time on the composition of it. While other bards "with Britain's hero set their souls on fire," he draws, he says, a deeper scene. Marlborough had been considered by Britain as her hero; but, when the Last Day was published, female cabal had blasted for a time the laurels of Blenheim. This serious poem was finished by Young as early as 1710, before he was thirty, for part of it is printed in the "Tatler." It was inscribed to the queen in a dedication, which, for some reason, he did not admit into his works. It

* Dr. Johnson, in many cases, thought and directed differ ently, particularly in Young's Works. J. N.

Not in the Tatler, but in the Guardian, May 9, 1719. C

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