LOVE OF FAME, THE UNIVERSAL PASSION. IN SEVEN CHARACTERISTICAL SATIRES, Fulgente trahit conftrictos gloria curru "Non minus ignotos generofis." -HOR. PREFACE. Tuzsz fatires have been favourably received at home and abroad. I am not confcious of the leaft malevolence to any particular person through all the characters; though fome perfons may be fo felfish as to engrofs a general application to themfeives. A writer in polite letters should be content with reputation; the private anrufement he finds in his compofitions; the good influence they have on his feverer ftudies; that admiffion they give him to his fuperiors; and the poffible good effect they may have on the public; or elfe he should to his politenefs fome more lucrative qualifi But it is poffible, that fatire may not do much ad: men may rife in their affections to their fees, as they do to their friends, when they are abuted by others: It is much to be feared, that fondu will never be chafed out of the world by fatire; all therefore that is to be faid for it is, that misconduct will certainly be never chafed out of the world by fatire, if no fatires are written: tor is that term unapplicable to graver compofiEthics, Heathen and Chriftian, and the Scriptures themselves, are in a great measure a fatre on the weaknefs and iniquity of men; and ne part of that fatire is in verfe too: nay, in the ages, philofophy and poetry were the fame ng; wildom wore no other drefs: fo that I for thefe fatires will be the more eafily pardoned that misfortune by the fevere. If they like not the hion, let them take them by the weight; for weight they have, or the author has failed in aim. Nay, hiftorians themselves may be confidered as fatirifts, and fatirifls moft fevere; fince fech are most human actions, that to relate is to expole them. f me fon; because what men aim at by them, is generally public opinion and efteem; which truth is the fubject of the following fatires; and joins them together, as feveral branches from the fame root: an unity of design, which has not, I think, in a 'fet of fatires, been attempted before. No man can converfe much in the world, but at what he meets with, he muft either be infenfible, grieve, or be angry, or fmile. Some paffion (we are not impaffive) must be moved; for the eral conduct of mankind is by no means a thing ferent to a reasonable and virtuous man. Now imile at it, and turn it into ridicule, I think moft gible; as it hurts ourselves leaft, and gives vice and folly the greatest offence: and that for this rea YOL. X. Laughing at the misconduct of the world, will in a great measure cafe us of any more difagree able paffion about it. One paffion is more effectually driven out by another, than by reafon; whatever fome may teach: For to reafon we owe our paffions: had we not reason, we should not be offended at what we find amifs: and the cause seems not to be the natural cure of any effect. Morcover, laughing fatire bids the fairest for fuccefs: the world is too proud to be fond of a ferious tutor; and when the author is in a paffion, the laugh generally, as in converfation, turns against him. This kind of fatire only has any delicacy in it. Of this delicacy, Horace is the best master: he appears in good humour while he cenfures; and therefore his cenfure has the more weight, as fuppofed to proceed from judgment, not from paffion. Juvenal is ever in a paffion: He has little valuable but his eloquence and morality: The laft of which I have had in my eye; but rather for emulation than imitation, through my whole work. But though I comparatively condemn Juvenal in part of the fixth fatire (where the occasion moft required it), I endeavoured to touch on his manner; but was forced to quit it foon, as difagreeable to the writer, and reader too. Boileau has joined both the Roman fatirifts with great fuccefs; but has too much of Juvenal in his very ferious Satire on Woman, which should have been the gayeft of all. An excellent critic of our own, commends Boileau's clofenefs, or, as he calls it, preffuefs, particularly; whereas, it appears to me, that repetition is his fault, if any fault fhould be imputed to him. bad advocates for reputation and fuccefs. What a difference is there between the merit, if not the wit, of Cervantes and Rabelais! The laft has a particular art of throwing a great deal of genius and learning into frolic and jeft; but the genius and the fcholar is all you can admire; you want the gentleman to converfe with in him: he is like a criminal who receives his life for fome fervices; you commend, but you paidon too. Indecency offends our pride, as men; and our unaffected tafle, as judges of compofition: Nature has wifely formed us with an averfion to it; and he that fucceeds in spite of it, is *"aliena venia, quam fua "providentia tutior." their own parts fheuld efcape? Some French wri ters particularly, are guilty of this in matters of the laft confequence; and fome of our own. They that are for leffening the true dignity of mankind, are not fure of being fuccefsful, but with regard to one individual in it. It is this conduct that justly makes a wit a term of reproach. Which puts me in mind of Plato's fable of the Birth of Love: one of the prettieft fables of all antiquity; which will hold likewife with regard to modern poetry. Love, fays he, is the fon of the Goddefs of Poverty, and the God of Riches: he has fent from his father his daring genius; his elevation of thought; his building cafties in the air; Such wits, like falfe oracles of old (which were his prodigality; his neglect of things ferious and wits and cheats), fhould fet up for reputation ufeful; his vain opinion of his own merit; and among the weak, in fome Bædtia, which was the his affectation of preference and distinction: from land of oracles; for the wife will hold them in con- his mother he inherits his indigence, which makes tempt. Some wits too, like oracies, deal in ambi-him a conftant begger of favours; that importuniguities; but not with equal fuccefs: for thoughty with which he begs; his flattery; his fervility; ambiguities are the first excellence of an impoftor, they are the laft of a wit. Some fatirical wits and humourists, like their father Lucian, laugh at every thing indifcriminately; which betrays fuch a poverty of wit, as cannot afford to part with any thing; and fuch a want of virtue, as to poftpone it to a jeft. Such writers encourage vice and folly, which they pretend to combat, by fetting them on an equal foot with better things: and while they labour to bring every thing into contempt, how can they expect • Val. Max. his fear of being despised, which is infeparable from him. This addition may be made, viz. That poetry, like love, is a little fubjed to blindness, which makes her mistake her way to preferments and honours; that she has her fatirical quiver; and laftly, that the retains a dutiful admiration of her father's family; but divides her favours, and generally lives with her mother's relations. However, this is not neceffity, but choice: were wifdom her governefs, the might have much more of the father than the mother; especially in fuch an age as this, which shows a due paflion for her charms. SATIRE I. TO HIS GRACE THE DUKE OF DORSET, Tanto major Famæ fitis eft, quam "Virtutis." Inftructive fatire, true to virtue's caufe! When dying finners, to blot out their foore, Shall panegyric reign, and cenfure ceafe? Shall poefy, like law, turn wrong to right, Why flumbers Pope, who leads the tuneful train, • Herace. Will no fuperior genius fnatch the quill, What is not proud? The pimp is proud to fee Some go to church, proud humbly to repent, And come back much more guilty than they went: One way they look, another way they fleer, Pray to the gods, but would have mortals hear; And when their fins they fet fincerely down, They'll find that their religion has been one. Others with wishful eyes on glory look, When they have got their picture tow'rds a book: Or pompous title, like a gaudy fign, Meant to betray dull fots to wretched wine. If at bis title T had drop'd his quill, Tmight have pafs'd for a great genius ftill. Bet T alas! (excufe him, if you can) Is now a fribbler, who was once a man. Imperious fome a claffic fame demand, For heaping up, with a laborious hand, A waggon-load of meanings for one word, While A's depos'd, and B with pomp reford. Some, for renozun, on fcraps of learning doat, And think they grow immortal as they quote. To patch-work learn'd quotations are ally'd; Both ftrive to make our foverty our pride. On how witty is a noble peer' Did ever diamond coft a man fo dear? Polite difeafes make fome ideots vain; Which, if unfortunately well, they feign. Of folly, vice, difeafe, men proud we fee; And franger ftill!) of blockheads' flattery; Vt fe praife defames; as if a fool should mean, E fpitting on your face, to make it clean. Nor is't enough all hearts are fwoln with pride, Her power is mighty, as her realm is wide. What can the not perform? The love of fame Made bold Alphonfus his Creator blame : Empedocles hurl'd down the burning steep: And (ftronger ftill) made Alexander weep. Nay, it holds Delia from a fecond bed, Though her lov'd lord has four half-months been bed. This pallion with a pimple have I feen Retard à caufe, and give a judge the fpleen, By this infpir'd (O ne'er to be forgot !). Sick with the love of fame, what throngs pour in, Aid me, great Homer! with thy epic rules, Begin. Who firft the catalogue fhall grace? My lord comes forward; forward let him come! Let high birth triumph! What can be more Nothing but merit in a low eftate. They that on glorious ancestors enlarge, Vain as falfe greatnefs is, the mufe must own When men of infamy to grandeur foar, Belus with folid glory will be crown'd; The man who builds, and wants wherewith to In fmaller compafs lies Pygmalion's fame; Nor is good Pembroke more in love with stone. To fay you're curious, when we fwear you're mad. How comes it then to pafs we fee prefide "On both their brows an equal fhare of pride?" Pride, that impartial passion, reigns through all, Attends our glory, nor deferts our fall. As in its home it triumphs in bigh place, And frowns a haughty exile in difgrace. Some lords it bids admire their wands fo white, Which bloom, like Aaron's, to their ravifh'd fight: Some lords it bids refign; and turns their wands, Like Mofes, into ferpents in their hands. Thefe fink, as divers, for renown; and boaft, With pride inverted, of their honours loft. But against reason fure 'tis equal fin, The boaft of merely being out, or in. What numbers bere, through odd ambition, To feem the most transported things alive? What numbers, bere, would into fame advance, Confcious of merit, in the coxcomb's dance; The tavern, park, affembly, makk, and play, Thofe dear deftroyers of the tedious day! That wheel of fops! that faunter of the town! Call it diverfion, and the pill goes down. Fools grin on fools, and, foic-like fupport, Without one figh, the pleasures of a court. • A famous ftatue. A famous taylor. Courts can give nothing, to the wife and good, The Squire is proud to fee his courfers strain, Here breathe, my mufe: and then thy task re new! Ten thousand fools urfung are ftill in view. SATIRE II. My mufe, proceed, and reach thy deftin'd end; And if thefe ftrains fome nobler mufe excite, ' glory in the verfe I did not write. So weak are human-kind by nature made, Their z of pleasure, and their balm of woe. In faine's full bloom lies Florio down at night, Nor are thofe enemies I mention'd, all; He rag'd! he roar'd!" What dæmon cropt my flower?" Serene, quoth Adam, " Lo! 'twas crush'd by me; "Fall' is the Baal to which thou bow'dft thy knec." Bat all men want amusement; and what crime None: but why proud of this? To fame they foar; We fmile at florifts, we defpife their joy, A fhort-liv'd flower; and which has often fprung From fordid arts, as Florio's out of dung. With what, O Codrus is thy fancy fait ? How fit for thee, bound up in crimson too, If not to fome peculiar end defign'd, This refers to the firft fatire. Or is at best a fecondary aim, A chase for sport alone, and not for game. On buying books Lorenzo long was bent, Lorenzo fign'd the bargain-with his mark. Is Codrus' erudite ambition fhown: To pay a fage, who fays that he can read; O Stanhope, whofe accomplishments make good By your example would Hilario mend ; How would it grace the talents of my friend, Who, with the charms of his own genius fmit, Conceives all virtues are compris'd in wit! But time his fervent petulence may cool; For though he is a wit, he is no fool. In time he'll learn to fe, not waste, his fenfe; Nor make a frailty of an excellence. He fpares nor friend nor foe; but calls to mind, Like doom's-day, all the faults of all mankind. What though wit tickles? tickling is unfafe, Farts may be prais'd, good-nature is ador'd; Since Marcus, doubtlefs, thinks himself a wit * Letters fent to the author, figned Marcute |