Dramatic Essays of the Neoclassic AgeHenry Hitch Adams, Baxter Hathaway Columbia University Press, 1950 - 412 páginas A collection of critical dramatic essays from the neoclassic period beginning in 1660 with the Restoration period in England and the influence of French neoclassic ideas. Includes essays from Pierre Corneille, John Dryden, Saint-Evremond, John Milton, and others. |
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Página xii
... Restoration is for most of us cold and unmov- ing . Full as it is of violence and bloodshed , the eternal beat of the heroic couplet and the absence of reference to much that is significant in our ... Restoration comedy had xii Introduction.
... Restoration is for most of us cold and unmov- ing . Full as it is of violence and bloodshed , the eternal beat of the heroic couplet and the absence of reference to much that is significant in our ... Restoration comedy had xii Introduction.
Página 180
... comedy's sake ; yet they wrote comedy of no other sort . Restoration comedy was one of cynical wit , a cruel comedy of manners , not of moral purpose . Yet in answering Collier , Vanbrugh and Congreve attempted to show that their fine ...
... comedy's sake ; yet they wrote comedy of no other sort . Restoration comedy was one of cynical wit , a cruel comedy of manners , not of moral purpose . Yet in answering Collier , Vanbrugh and Congreve attempted to show that their fine ...
Página 191
... Restoration comedy was something it was not — that is , moral . Like most of his fellows , Vanbrugh accepted Collier's basic premise , that comedy has a moral purpose , and thus was reduced to saying that his play really was not as ...
... Restoration comedy was something it was not — that is , moral . Like most of his fellows , Vanbrugh accepted Collier's basic premise , that comedy has a moral purpose , and thus was reduced to saying that his play really was not as ...
Contenido
PIERRE CORNEILLE | 1 |
THOMAS SHADWELL | 35 |
VSAINTÉVREMOND | 102 |
Derechos de autor | |
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Términos y frases comunes
action actors admiration Æsop Ancients appear Aristotle audience beauty believe Ben Jonson blank verse Bywater characters Chorus Cinna comedy compassion Corneille Corneille's Crites criticism delight discourse distress drama Dryden effect emotion English epic Euripides example excite fable father faults fear feel Fletcher Freem French genius give Greek happen heart hero Horace Humour Iago ideas imagination imitation John Dryden Jonson judge kind Le Cid Lisideius lover mind misfortune Molière moral Nature never Nicomède object observed Oedipus pain passions perhaps persons philosopher pity Plautus play pleased pleasure plot poem Poesy poet poetic poetical justice poetry Polyeucte Porus probability prose Racine reason Restoration comedy rhyme ridiculous Rodogune Rules scene sense sentiments Shakespeare Silent Woman Sophocles soul speak spectator stage terror theatre things thought tion tragedy tragic true Unity verse virtue virtuous words writ writing