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fronting the entrance nas the Trimurti bust, the principal | from the vicinity of these, that the eye and mmd first explore object at Elephanta. These busts, which are no where found in the large caves, are almost free from mutilation; and they correspond so closely with that at Elephanta, as to leave no doubt of their being intended to represent the same personage. From these more perfect specimens, it appears that the central head holds in its right hand a mala, or rosary, and in the left a cocoa-nut; both arms have a thin rod or snake twisted round them. The right hand of the right-hand head holds a dish, explained as intended to receive a resinous powder, which Shiva amused himself by setting on fire by breathing on; in the left hand is the sacred snake. The left-hand face, which is of a milder and more feminine expression than the angry deity to the right, holds a looking-glass in one and a brush in the other hand, supposed to be intended for painting the eyelids, according to

the eastern fashion.

We shall now recur to Lord Munster's description of the principal attraction of this place,-the Brahminical temple of Keylas.

The first object which strikes the traveller, is a gateway, having apartments over it, connected with the sides of the hill by two walls with battlements, and apparently built across an old stone-quarry; above, and on each side within this, is scen a confused crowd of pagodas and obelisks; so that a stranger, viewing it from the outside, and not aware of the peculiarity of the place, would wonder at seeing so many buildings buried in so obscure a situation; but on approaching the wall and gate, you search in vain for the usual separation of stones in building, and the whole is found to be formed from one mass of rock! On entering the gateway, and passing into the immense area*, viewing the principal temple, supported by stone elephants, and bearing in mind, that this stupendous, yet elaborately-worked mass, is formed of kindred material with the coarse perpendicular wall of stone, which shuts you in on three sides; an astonishment and admiration is felt, which increases on reflection. The openings into the area, are to the right and left; and, facing each of these, are stone elephants of the size of life, but much mutilated, having a coarse rope carved round their bodies; it is

Captain Sykes states the depth of this excavation, from the wall to the back, to be 323 feet, and the width 185, which is the length of the eastern colonnade, running true north and south, but at the gateway the width is much less; Lord Munster's dimension of the width was, probably taken near the entrance; there may be some error in the print of the work with respect to the depth. Captain Sykes mentions, that in the niches of the front wall there are gigantic figures, and a female door-keeper on each side of the gate has the mushroom shading her head, so frequent in Boodh caves. "Over the door is the Nagara Khana, the floor of which forms the ceiling to the passage leading into the area; at the end of this, facing the entrance, is Luximee, sitting, in the Boodh attitude, on lotus-flowers on the surface of water; two elephants are pouring water over her head, while two others are replenishing the vessels; she has the umbrella over her head; this symbol of dignity over a woman is not usual in a Brahminical cave. In the character of Luximee, being worshipped as the Goddess of Fecundity, she is possibly the Mylitta of the Babylonians, the Isis of the Egyptians, the Cybele or Tellus of the Phrygians and Greeks, and the Magna mater of the Romans."

and comprehend the whole of the exterior of the great pyramidal temple, one hundred feet high, which stands in the centre of the excavation: the minute and beautiful carving on the outside, is very happily contrasted with the cliff around. About thirty feet from the elephants, are two beau tiful obelisks, quite perfect, about thirty-eight feet high, very light in appearance, and tastefully sculptured. The main temple stands rather nearer the further end of the quadrangle than the middle, and is connected with the apartment over the gate, by an intermediate smaller temple in which is the bull Nundi: from this, there is a sort of bridge over the figure first seen, and over the openings by which the area is entered, all similarly cut out of the solid rock; the bull is not large, and is rather disfigured. The centre temple has several smaller, not so high, beyond it, but quite distinct, leaving the principal one, supported on figures of animals, elephants, lions, and imaginary monsters carved in various attitudes; some as if fighting with their neighbours, some project half of their bodies from the mass, others have only their heads and shoulders standing out from it; the feet, talons, ears, tusks and trunks, are much mutilated, the elephants are of the size of life; the lions being of the same height, in order to support the floor of the temple, are, necessarily, larger than life.

Between the chief temple and the gateway on the

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holding some Indian instrument in one hand: at the back of this inner recess, is a small door-way leading to an inner apartment, measuring twenty by seventeen feet, in the centre of which, is a dhagope cut out of the solid rock, of a hexagonal form, and surmounted as usual by a dome. Around the large cave, on three sides, are small apartments called Dookans or shops, each nine feet deep, with a door into it from the cave; these were obviously priests' cham bers, such as are found near all Bouddha temples. In the back wall of the second of these on the left, at about four feet from the ground, is a small opening about three feet by two, through which you can creep into a second apartment about twelve feet square, from which, by similar holes, five such chambers may be entered in succession, all in a line with the first, and separated by a wall from each other, having no other entrance but these small windows, the floor of each being about four feet higher than that of the preceding one. This excavation bears marks of rapid decay; five of the columns have fallen down.

outside walls, there are nine rows of sculptured figures, about a foot high, of men fighting with bows, clubs, and swords, some in cars with two and four wheels, drawn by horses and monkeys, make a great figure among the rest. A flight of steps lead to an open landing-place in front of the great temple, the principal door is six feet wide and twelve high, and ornamented with colossal statues on each side; through this you enter the great chamber of the building, and for the first few minutes the gloomy light, the dead silence, the massy pillars, and gigantic figures at the other end, produce a feeling of awe. The interior size from the door, to the further opposite recess, is one hundred and three feet, by sixty-five in width, and only seventeen in height, but this lowness of the roof and the great thickness of the pillars compared to their height, add materially to the effect. The roof is sustained by four rows of pillars, the shafts minutely carved, and all differing, but the capitals quite plain; the ceiling is cut into recesses, giving an appearance of great beams resting on the pillars: in the centre is a circular medallion, with a bas-relief of a man between two female figures, one of which, however, has fallen down, and allows the original colour of the stone to be perceived, the rest of the chamber is blackened all over by the smoke of a fire kindled in it by order of Aurengzebe, to show his contempt for the Hindoos. Opposite the entrance-door, is a recess of about forty feet, with a group of colossal figures on each side, whose heads touch the roof; this was the sanctum, and contained the Lingam.ment contains a dhagope, but there is no recess with sculpOn each side of the chamber are open porticoes, resting like the rest on elephants, and having their roof supported by pillars, and graceful female figures placed against the outer walls of the temple, by way of pilasters; the walls and pillars are richly carved, there are seats in them: from one of these porticoes, there appears to have been a kind of bridge across to the excavated chambers in the cliff, with which there is now no communication from below, as there is to those on the other side. The projection which the sanctum forms on the outside of the temple is surrounded by an open gallery or balcony, which is entered by two doors, one on each side of the colossal groups in the interior; from this gallery, there are entrances to five smaller temples, resembling the principal one, and supported like that by animals, of which there must be altogether from eighty to one hundred; the roofs of all the temples rise pyramidally to points, and the outside walls are carved in panels with grotesque figures: the whole has at some late period received a coating of plaster, which takes away much from the relief of the carving. The architect, not content with this group of temples, left in the centre of the area, has excavated three or four stories of galleries in the face of the cliff, each twenty feet in height, and of considerable depth.

About three miles and a half from the small town of Baug, on the road leading from Guzzerat to Malwa, are some cavern temples, which are little known, in the western side of a range of low hills, they are four in number, but the three southernmost are in a ruinous state, from the falling in of the rock; a flight of seventy rudely-formed stone steps leads up the sloping side of the hill to a landingplace overhung by the cliff, and apparently, once a verandah supported by columns, plasterel and ornamented fragments of which are seen strewed on the ground. Torches are necessary for the examination of the great chamber, more especially as tigers sometimes resort to it. This excavation is a square of eighty-four feet, and fourteen to fifteen in height, the roof is supported by four ranges of massy columns the roof, but no other part, bears marks of having been ornamented with paintings in square compartments; but, from the smoke of the torches, these are hardly distinguishable; passing between the centre range of columns to the end of the cave, you enter an oblong recess, twenty feet by twelve, the open front of which, next the cave, is divided into three parts by two columns; on the three other sides are niches, in which are carved in bold relief, some very elegant and spirited full-length figures, about nine feet high: one group represents a male figure apparently dancing, with a female on each side, *There is great difference in these dimensions in Captain Sykes's

paper, which is probably the most correct.

+ This plastering, or chunaming, is seen over all the Ellora excavations; it was done long subsequent to their original formation, about 500 years ago as it is supposed.

This account is abridged from a paper by Captain Dangerfield, in the Transactions of the Bombay Literary Society.

Descending the flight of steps, and proceeding along the bottom of the hill for about a hundred yards, another cave may be reached by a rugged and steep foot-path; this excavation measures eighty by sixty feet, and is very similar in arrangement to the first, but the rocky ceiling has given way, and crushed several of its beautiful columns. This temple, which has none of the gloominess of the first, has been once finished and decorated in a very superior style, and appears to be the most ancient; an inner aparttures: the whole of the walls, roof, and columns, have been covered with a fine stucco, and ornamented with paintings in distemper, of considerable taste and elegance. Near the top of the walls, a band of light scroll-foliage, and an Etruscan border, as it is called, round the shafts of the columns, are still perceivable; on many places of the walls there were male and female figures, painted of a red or copper colour, but the upper parts have been intentionally effaced; what remains show that they were of a much better style of art than is at present known in India.

The popular account of this suite of temples is, that they were the work of the Panch Pandoos, heroes of Indian Mythology, and are called by their name: they are, however, decidedly Bouddha places of worship, as may be known from the dhagope, the cells, &c.

Fifty miles to the north of Aurungabad are the Adjunteh Caves, in the pass of that name; they are on a smaller scale than those of Ellora, but very beautiful, on account of the elegant paintings with which they are embellished, and which are in a tolerably perfect state. Wild bees are so numerous in these excavations, and so formidable when accidentally provoked, as to render it difficult to explore them, added to which tigers and robbers are also occasionally their inmates, so that from these causes the temples are little visited, and therefore little known.

THE TEMPLE OF KARLI.

THIS beautiful Bhoodha temple is about twelve miles from
the Bhoar Ghaut, the celebrated pass on the road to Poo-
nah from Bombay, and much nearer to the latter city than
the Ellora Caves. In the heights to the north of the vil-
lage of Karli, at about a mile distance, a steep pathway
leads up to a small platform, of about 100 feet in length,
formed by cutting into the slope of the hill, in order to get
a perpendicular face for the entrance, and by the rubbish
taken out of the cave. On the left is a pillar, about
twenty-four feet high and eight in diameter, with three
lions on the top, like that in front of Kennery; there is
here also an inscription in an unknown character; the cor-
responding pillar has been removed, and in its place is a
small modern Brahminical temple. A screen which closed
in the entrance has been broken; between this and the
inner one is a portico, or vestibule, twenty-five feet deep,
and the length of the front: at each end or side of this
place there is a colossal elephant in alto-relievo, with
persons on their backs, which, with the various other
sculptures on the walls, are boldly carved.
The great
chamber is grand and striking, being 126 feet long, from
the wall which separates it from the vestibule to the further
part, and its breadth 46, including the colonnades, formed
of a row of pillars running down each side and round the
circular end, exactly in the same way as in the Cave of
Kennery; on the capitals are cut two elephants, with
three figures on each, in good preservation. The roof
between the columns is very lofty and arched, and is
supported by wooden curved beams, two or three inches

thick, of teak-wood, which is perfectly sound, though it must be at least 900 years old. In the arched cave, Bismah Kurm, at Ellora, similar ribbing is sculptured out of the rock, it probably, therefore, had some use or allusion in Bhoodha temples. At the circular end is a dhagope, with a square capital on the top of the dome, supporting a mushroom-shaped canopy. A college of Brahmin priests is established in the vicinity of the cave, in the excavations of the rock usually found near temples belonging to the sect of Blood.

In the neighbourhood of Satra, forty miles to the south of Madras, and in many other parts of the peninsula, cavern-temples exist, all interesting, but necessarily passed over here, for want of space.

In concluding this short account of the Temples of India, we must remind our readers, that if they are surpassed in magnitude by the edifices of other nations, yet they have, from the peculiarity of their construction, superior claims to admiration; the mechanical skill and knowledge of a people must have attained great perfection to have enabled them to accomplish such works. In the case of Keylas, a mass containing at least three millions of cubic feet of rock, has been hollowed out, so as to leave very complicated and elegant structures, highly ornamented, both externally and internally, with elaborate sculpture, standing in the vacuity thus formed. Nor must this be estimated as simply the result of mechanical excellence; considerable taste and genius are shown in the arrangement of the different parts; and though, generally speaking, the figures are deficient in design and accuracy of drawing, yet there is a vigour and character about them, that places the school of art of those times and countries in a very respectable rank.

It is worth remarking, that our perfect ignorance of the date, and even the name or history of the race who achieved these wonderful works, is similar to that which prevails respecting the Egyptian Pyramids, the Mexican Temples, Stonehenge, and many other antiquities, manifesting considerable power in the nations which produced them. Thus it ever must be, when moral culture does not enable a people to leave more permanent records of their story, than those written in stone and marble; in comparing the past and present state of these various nations, it appears that none can be permanent or prosperous, whose religion could only be a tissue of degrading superstitions and disgusting idolatry.

CATACOMBS OF ITALY, &c.

THE ancient Etrurians appear to have shown great regard for their dead, if we may judge by the care bestowed on the receptacles for them, of which there are many remains in different parts of Tuscany. The entrances are generally under small artificial mounds, and the catacombs beneath are of considerable extent, consisting of long galleries with halls and apartments, stuccoed and painted with light and elegant designs, in the style termed Etruscan.

THE CATACOMBS OF ROME

ARE a collection of subterranean streets or galleries, of unknown extent and length, intersecting each other so frequently and inextricably, as to render it dangerous to advance far in them; they were not originally excavated for places of sepulture, but were quarried for a sand called puzzolana, which was used for making cement. These galleries are from two to five feet broad, and from four to eight high: there is no masonry or vaulting any where. What renders them interesting is, that they served as places of retreat to the early Christians against the persecutions to which they were exposed: here, too, they held their assemblies, celebrated their worship, and buried their martyred brethren. placing the body, with the instruments of its torture, or a phial filled with its blood, in niches in the sides in some cases the name of the person was written over the place, or the sign of a cross pointed out the tomb of a victim; but many bodies have been found without these indications of their date or faith. In many places the open chambers have their walls painted with subjects from the Scriptures, &c.

THE CATACOMBS OF NAPLES ARE situated in the mountains to the north of that city. The principal entrance is through an arch in a rock from the church and hospital of San Gennaro; the first passage is twenty feet wide, and extends for a considerable distance, preserving a height of fifteen feet; it then branches off into several others. The excavations con

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sisted of three stories, but the lower one is nearly filled up with earth, the effect of the earthquakes of this country. The sides of these galleries, through their whole length, are pierced with innumerable recesses, each large enough to hold one body only, without coffin or sarcophagus; many are only made for infants. When the corpse was placed in one of them, it was walled in with tiles or stones, cemented together; many are painted with subjects, some expressive of the Christian faith, supposed to have been executed in the eleventh century, others representing birds and animals, similar to the Arabesques of ancient Pagan edifices. All the mortal remains have been removed, and some have been replaced by the bones of the victims of the plagues which have raged at Naples in modern times.

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ANCIENT TOMB AT BARLETTA.

THE following curious discovery of an excavated place of burial, mentioned in Mr. Hughes's Travels, shows how many interesting relics of antiquity are yet unknown to us. From hence we descended into some vineyards below the town, to see one of the greatest curiosities in this part of Italy, which had been discovered about a year before our arrival (1812). Whilst some workmen were excavating a wine-vault in the tufa rock, they accidentally burst into a superb sepulchre, formed like an ancient Doric temple, with a fine angular roof, pilasters cut at the sides, and a regular entablature. The entrance, which had been artificially closed, was on the opposite side to that broken open. On the ground, lay the armour of some ancient hero, on several parts of which gilding was plainly distinguishable, but the corpse was totally decayed. At one end of the tomb stood three of the finest terra cotta vases ever found; the largest between four and five feet high, upon which the labours of Hercules are beautifully portrayed; the next is three feet, and exhibits the adventures of the Argonautic expedition; the other is two feet high; but all, when found, were filled with vases of smaller dimension. At the other end of the tomb were two pedestals, cut from the rock, on one of which stood a wild boar, executed in a rough but spirited style, and on the other a dog. No one had formed a conjecture respecting the occupier of this superb sepulchre."

Mr. Hughes, from the subjects of the sculpture, and the circumstances of the boar and dog, thinks it not impossible that it might be the tomb of the Homeric Diomedes himself, who is said to have been the founder of the city.

THE CATACOMBS OF SYRACUSE GIVE an exalted idea of the wealth and magnificence of that ancient city; they are subterranean passages, hewn with great care and regularity. The principal gallery is ten feet high, and runs in a straight direction for a great distance, but its whole length cannot be ascertained, the ground having fallen in in one part; small chambers, with arched roofs, are seen on each side, having separate recesses for the bodies: the remains of gates by which some were enclosed, are still visible, these being, probably, private tombs of particular families. Several galleries run parallel to the principal one, connected by cross-passages; where these intersect, open spaces are left, in the middle of many of which are large tombs. The walls of the arched chambers are stuccoed, and painted with devices, in various colours, on a red ground; some of these are paintings of animals, processions, trees, &c. In the ceiling of the open spaces before mentioned are the remains of apertures, by which the place was ventilated.

In the Islands of Malta and Gozzo, Catacombs of great extent, and in good preservation, exist, but they do not differ in any remarkable degree from those which have been already mentioned.

GRECIAN CATACOMBS. ONE part of the Lycabettus, at Athens, appears to have been a cemetery; the graves are generally cut in the rock, in form of parallelograms, about four feet deep: many have been excavated with great care and cost, the rock being first cut into a small area or court, with three perpendicular sides; the excavation is made on the one in front in form of an oblong or square chamber, containing niches for the reception of cinerary vases, lamps, &c., its sides being coated with a fine cement, generally painted a bright vermilion. In the little area, a seat, a flight of steps, or a cistern, is often seen. At one end of the Museum, towards the port Phalerum, is a noble sepulchre, commonly called the "Cenotaph of Euripides:" the interior is cut into the shape of a temple, and lined with a beautiful cement

black and shining as the most polished ebony. Out of the principal apartment, which is very large, there are entrances to two others, in one of which are two sarcophagi. Another curious excavation which this hill contains, is denominated the prison of the Areopagus, in which, it is said, Socrates drank the cup of hemlock; there is no very satisfactory foundation for this tradition; it, however, makes the place venerable. The excavation consists of four small chambers, one of which is circular and domed; they are entered by three doors in a recess cut in the rock.-HUGHES's Travels in Sicily, &c.

Throughout the countries formerly inhabited by the Greeks, sepulchres excavated in rock are frequently met with; in addition to those we have already noticed, Mr. Hughes mentions others in the neighbourhood of Delphi, one of which has a front resembling a Doric portico with a pediment; and another very beautiful sepulchral cavern, on the road to Crissa, commonly, though erroneously, called the Sepulchre of Pyrrhus ;" it is a vaulted chamber, with an arched recess for a sarcophagus in three of its sides; over that at the end are two smaller ones, probably for urns, with a bull's head carved between them.

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THE CATACOMBS OF PARIS. THESE are certainly the most complete, if not the most extensive, excavations appropriated to the reception of mortal remains to be found in the world. They were originally the quarries from which the stone employed in the building of the city was obtained, and were accordingly made irregular in direction and size, as chance, or the facility of working, induced the workmen to proceed; they extend under the southern half of the city. When these quarries were exhausted, they were abandoned, and the entrances being filled up by earth, their existence was almost forgotten; many accidents having occurred in the year 1774, by the falling in of buildings, prompt and efficient steps were taken to avert what was found, on examination, to be by no means an improbable occurrence, namely, the destruction of a large part of the capital, by the giving way of the unsupported ground on which it stood. These precautions were so well and so judiciously contrived, that the galleries under-ground were made to correspond with the streets above; and all the hollows under buildings were either entirely filled up, or the roof supported by strong masses of masonry. M. Lenoir, Lieutenant-General of the Police, in 1780, suggested appropri- | ating these excavations to the reception of the remains from the different burial-places of the metropolis, which, being over-crowded with bodies, affected the air, and threatened the production of contagious fevers. One of these cemeteries, belonging to the church of the Innocents, had been the burial place of twenty populous parishes for more than 700 years. According to this suggestion the quarries were consecrated for the purpose, and the bones from that burialground were first moved into them in the years 1786, 7, and 8, and subsequently those from others were removed in a similar way, and piled up in the exhaustless passages of the Catacombs. In 1810 and 1811 numerous alterations were made, and inscriptions and embellishments added, with the intention of beautifying this dreary place; but we think that these, neither in the original conception nor in their execution, indicated much real feeling or good taste. The entrances are by three staircases, the principal one of which is at the Barrière d'Enfer; by this visitors, after being furnished with means of creating a light, descend with the guides to a depth of seventy feet, into a gallery of various width and height, the roof partly supported by the rock, and partly by stone pillars. After traversing this and others branching from it, for a considerable distance, guided by a black line, painted for that purpose on the ceiling, they arrive at an octagonal vestibule, with a black gate between two Tuscan columns, on which is incribed a Latin motto, meaning "Beyond these bounds rest those waiting the blessed promise; and on one side is a French verse of the poet Delille," Stop! here is the empire of Death!" On passing this gate, the passages are lined, from the floor to the roof, with the bones of more than two millions of human beings, arranged in symmetrical piles, and displaying all sorts of figures,-pyramids, obelisks, circles, &c. In some places are altars made of bones cemented together; and every where these relics are interspersed with sentences, written in black letters on a white ground, alluding to the future hopes, or to the past history, of the tenants of this silent city. Various groups of bones, or parts of masonry erected for the purpose of security, have received

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names from the forms in which they have been arranged, such as the "Altar of the Obelisks," the " Sarcophagus of the Lachrymatory," the Pedestal of the Sepulchral Lamp," the "Fountain of the Samaritan Woman," given to a spring and an artificial reservoir, with various works required by its existence for the purpose of security or of disposing of the water; over it are written the sublime words of our Lord to the female at Jacob's well.

The remains of the victims of anarchy and tyranny, during the French Revolution, are collected in separate groups, and have inscriptions over them, recording the occasion of their death.

But among these melancholy memorials of mortality, there are some objects of a more useful, and therefore pleasing, nature. One of these is a mineralogical collection of specimens of all the strata of earth and stone of this spot, each placed on a separate ledge, indicating the respective thickness of the stratum from which it was taken, and the fossil shells and bones found in them are scientifically arranged in their proper order round the apartment. Another collection consists of diseased bones, arranged in classes and orders, showing the malady in its various stages; and a collection of skulls, remarkable for size, form, or conformation, is added.

One interesting circumstance, connected with the place itself, is the very ingenious and simple mode by which these extensive vaults are ventilated. The wells, from which the houses above derive water, pass through the galleries to a depth greater than the lowest part of these excavations, and a wall of masonry has been built, or the rock left, round the shaft, forming so many detached columns in . the passages; holes have been pierced in these, and glass tubes inserted, which are corked up. When the keepers perceive, in their rounds, the air to be foul in any part, so that the lamps cannot burn, or the workmen are incommoded, they open as many of these vents as may be necessary, and pure air is thus obtained from the surface; and to such a degree of precision is this system of ventilation brought, that each principal guide, by observation, knows the proper hour for opening these tubes, according to the altitude of the sun, and the quarter and violence of the wind, so as best to secure the greatest supply of fresh air. CATACOMBS IN THE CANARY ISLANDS.

On the discovery, in modern times, of the Canary Islands, the original inhabitants, known by the name of Guanches, were in the habit of embalming their dead, and depositing them in caves. The processes of embalming must be similar in all places; Herodotus describes those in use among the Egyptians; and Spanish writers represent the mode followed in the Canary islands as resembling it. When the preparations were completed, the body was sewn up in goat-skins, and bandaged with leather; the kings and nobles were placed in a sarcophagus made of a hollowed tree; but in all cases the corpse was deposited in a grotto destined to that purpose. They much resemble, when discovered in the present day, those of Egypt in appearance, but soon crumble into dust on being taken out of the skins in which they are wrapped. At Fer, the catacombs were walled up, and domestic utensils were found in them.

The most celebrated are those at Teneriffe, between Arico and Guimar; the interior is spacious, but the entrance is in a steep cliff, and difficult of access; there are niches in the walls, in which the bodies were placed; and, when first discovered, there were upwards of a thousand mummies in the place; these are always found placed on a species of trestle, and five or six are joined together by the skin, the feet of one being sewed to that of the head of the next. The wood-work of the scaffold is very perfect.

It may be noticed here, that Egypt and the Canaries are, as far as we yet know, the only countries in which the preservation of the bodies of the dead was a universal custom; in others it appears to have been practised only with regard to certain ranks.

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UNDER THE DIRECTION OF THE COMMITTEE OF GENERAL LITERATURE AND EDUCATION, APPOINTED BY THE SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE.

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VOL. II.

SOUTH WEST VIEW OF LINCOLN CATHEDRAL..

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