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admirable ancient appear beautiful become better cause character composition consider criticism Dante delight distinction Dryden edition effect English essay essential example excellent excitement exist expression fact faculty feeling genius give grand Greek heart HENRY History Homer human ideas illustrations imagination important intellectual interest judgment kind knowledge language learning least less light lines literary literature live look manner matter meaning metre Milton mind nature never object observe once original passages passion perfect perhaps philosopher pleasure poems poet poetic poetry Pope present produced Prof prose qualities reader reason remarks seems selection sense simplicity soul speak spirit style suggested taste things thought tion touch true truth verse vols whole Wordsworth writing
Página 144 - These are the forgeries of jealousy: And never, since the middle summer's spring, Met we on hill, in dale, forest, or mead, By paved fountain or by rushy brook, Or in the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturb'd our sport.
Página 225 - If all the pens that ever poets held Had fed the feeling of their masters' thoughts, And every sweetness that inspired their hearts, Their minds and muses on admired themes; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein as in a mirror we perceive The highest reaches of a human wit; If these had made one poem's period...
Página xiv - Revisit'st thus the glimpses of the moon, Making night hideous, and we fools of nature, So horridly to shake our disposition, With thoughts beyond the reaches of our souls ? Say, why is this ? wherefore ? what should we do ? [Ghost beckons HAMLET.
Página 144 - I know a bank where the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Página 96 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Página 112 - On the stage we see nothing but corporal infirmities and weakness, the impotence of rage; while we read it, we see not Lear, but we are Lear, — we are in his mind, we are sustained by a grandeur which baffles the malice of daughters and storms...
Página 90 - And the sad augurs mock their own presage ; Incertainties now crown themselves assured And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I '11 live in this poor rhyme, "While he insults o'er dull and speechless tribes : And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent CVIII.
Página 15 - ... upon themselves care and industry; they did nothing rashly: they obtained first to write well, and then custom made it easy and a habit.