Carnival and Culture: Sex, Symbol, and Status in SpainYale University Press, 1998 M01 1 - 244 páginas An exploration of the meanings of the Andalusian carnival, focusing in particular on the songs, or coplas. The author offers translations of many of these carnival productions, and contends that they are less about revolution or politics, than about the ambivalence of all human feeling. |
Contenido
Carnival in Spain | 9 |
Carnival Ritual and the Anthropologists | 26 |
Chirigota Satires | 37 |
Estudiantil Laments | 57 |
Macho Man and Matriarch | 74 |
7 | 89 |
The Geometry of Sex | 107 |
The Geography of | 124 |
ΙΟ | 139 |
Ideology and Counterpoint | 155 |
Carnival Evolving | 189 |
Meanings of Carnival Carnivals of Meaning | 205 |
Otras ediciones - Ver todas
Carnival and Culture: Sex, Symbol, and Status in Spain David D. Gilmore Sin vista previa disponible - 2014 |
Términos y frases comunes
aggressive ambivalence anaclitic Andalucía Andalusia Andalusian carnival anthropologists argued Bakhtin behavior boys Brandes Brazilian carnival burlesques Cadiz Cadiz Province Campana carnival coplas carnival songs carnivalesque celebration child chirigota colcha concept context coplas costume course culture ditty domestic dominance drink elite encima estudiantil ethnographic example exchange expression father female feminine festival Franco Freud gender identity genre Gilmore girls harvest hierarchy husband identification inversion Juanillo El Gato Kertzer labor maestro Malaga Province male manhood Marcelino Lora Marxist masculine masqueraders mayetes means Mediterranean metaphor Mikhail Bakhtin Mintz moral mother mujer murga negation object participate peasants poets political poor popular proletarian pueblo relations represent rich ritual role rural sense Seville Seville Province sexual singer skits social society southern Spain Spanish carnival spatial status streets suegra symbiosis symbolic theme tion town tradition transvestism transvestite Trebujena village wife woman women workers working-class