A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 55
... setting , and exploited the imagery and language which he was employing , pos- sibly at the same period , in the Sonnets . By 1596 he had written King John ( Folio , 1623 ) , a play which , though it may have some unsatisfactory ...
... setting , and exploited the imagery and language which he was employing , pos- sibly at the same period , in the Sonnets . By 1596 he had written King John ( Folio , 1623 ) , a play which , though it may have some unsatisfactory ...
Página 190
... setting , so that , although the action is very different , the setting looks like that of a drawing - room comedy . The chorus , with which he had been experimenting with some success , is abandoned , except for a single chant in The ...
... setting , so that , although the action is very different , the setting looks like that of a drawing - room comedy . The chorus , with which he had been experimenting with some success , is abandoned , except for a single chant in The ...
Página 204
... setting . Roots was staged at the Royal Court in 1959 and was widely praised ; it was clear that Wesker had developed considerably since the days of Chicken Soup with Barley . In 1960 he wrote I'm Talking About Jerusalem , which was ...
... setting . Roots was staged at the Royal Court in 1959 and was widely praised ; it was clear that Wesker had developed considerably since the days of Chicken Soup with Barley . In 1960 he wrote I'm Talking About Jerusalem , which was ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote