A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 29
... remained . Greek drama was religious in origin and the speeches were governed and disciplined by that consideration . In Seneca that religious element had disappeared , and the long , declamatory speeches remained shorn of their ...
... remained . Greek drama was religious in origin and the speeches were governed and disciplined by that consideration . In Seneca that religious element had disappeared , and the long , declamatory speeches remained shorn of their ...
Página 148
... remained the dominant motive in a number of Shaw's early comedies such as Arms and the Man . Gilbert might well have developed into a considerable dramatist of a regular type had he not discovered a new medium for his talents . In 1875 ...
... remained the dominant motive in a number of Shaw's early comedies such as Arms and the Man . Gilbert might well have developed into a considerable dramatist of a regular type had he not discovered a new medium for his talents . In 1875 ...
Página 202
... remained for Beckett the major influence . In one passage Hamm asks : ' We're beginning to ... to ... mean something ? ' And Clov merely laughs : ' Mean something ! You and I mean something ! ' This is perhaps the final comment on ...
... remained for Beckett the major influence . In one passage Hamm asks : ' We're beginning to ... to ... mean something ? ' And Clov merely laughs : ' Mean something ! You and I mean something ! ' This is perhaps the final comment on ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote