A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 6
... published by Staples Press in 1950 by courtesy of Penguin Books Limited Second revised library edition published by MacGibbon & Kee Limited in 1965 Copyright © Sir Ifor Evans 1965 Printed in Great Britain by Cox and Wyman Limited London ...
... published by Staples Press in 1950 by courtesy of Penguin Books Limited Second revised library edition published by MacGibbon & Kee Limited in 1965 Copyright © Sir Ifor Evans 1965 Printed in Great Britain by Cox and Wyman Limited London ...
Página 87
... published 1612 , and later known as Vittoria Corombona ) and The Duchess of Malfi ( acted before 1614 and published 1623 ' as acted privately at Blackfriars and publicly at the Globe ' ) . His other plays nowhere attain the compelling ...
... published 1612 , and later known as Vittoria Corombona ) and The Duchess of Malfi ( acted before 1614 and published 1623 ' as acted privately at Blackfriars and publicly at the Globe ' ) . His other plays nowhere attain the compelling ...
Página 102
... published 1629 ) , where he was influenced by Burton's The Ana- tomy of Melancholy . The play has the usual complexities of love intrigue , but it also has some verse where Burton's influence can be heard : Minutes are numbered by the ...
... published 1629 ) , where he was influenced by Burton's The Ana- tomy of Melancholy . The play has the usual complexities of love intrigue , but it also has some verse where Burton's influence can be heard : Minutes are numbered by the ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote