A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 33
... original forms as Henry IV and Henry V , and it was through the history play that he made his way into his major tragedy.1 While these developments in tragedy and chronicle plays occurred during the sixteenth century there were also ...
... original forms as Henry IV and Henry V , and it was through the history play that he made his way into his major tragedy.1 While these developments in tragedy and chronicle plays occurred during the sixteenth century there were also ...
Página 44
... original effect by combining several types of action within a single plot . The story is taken from Cinthio , from whom Shakespeare derived the plot of Othello , but it is softened , made romantic and transferred to Scotland where it is ...
... original effect by combining several types of action within a single plot . The story is taken from Cinthio , from whom Shakespeare derived the plot of Othello , but it is softened , made romantic and transferred to Scotland where it is ...
Página 66
... original ' humours ' comedies . The stepson of a bricklayer , he was taken before he had completed his time from Westminster School , and put into the family trade . Soon dissatisfied he became a soldier , and in the Flanders Wars ...
... original ' humours ' comedies . The stepson of a bricklayer , he was taken before he had completed his time from Westminster School , and put into the family trade . Soon dissatisfied he became a soldier , and in the Flanders Wars ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote