A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 23
... seems to repeat in grotesque form the incidents which the religious element is celebrating , yet the whole is strangely moving . Apart from the miracle plays , and developing after they The Origins , Miracles , Moralities , Interludes 23.
... seems to repeat in grotesque form the incidents which the religious element is celebrating , yet the whole is strangely moving . Apart from the miracle plays , and developing after they The Origins , Miracles , Moralities , Interludes 23.
Página 103
... moving verse , with the exploration of strange territories of experience , from which all ordinary moral values have disappeared . The emphasis is on tragic suffering . Again the central action con- cerns a brother and a sister though ...
... moving verse , with the exploration of strange territories of experience , from which all ordinary moral values have disappeared . The emphasis is on tragic suffering . Again the central action con- cerns a brother and a sister though ...
Página 181
... moving and imaginative play was too far from the ritualistic drama to which his mind was moving . The rejection of The Silver Tassie was the end of the most imaginative period in the Abbey , and though it was not the end of O'Casey as a ...
... moving and imaginative play was too far from the ritualistic drama to which his mind was moving . The rejection of The Silver Tassie was the end of the most imaginative period in the Abbey , and though it was not the end of O'Casey as a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote