A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 32
Página 54
... mood of light - heartedness Don John is per- mitted to intrude an episode of tragedy , but the audience need not be genuinely fearful that he , a villain who can be exposed by Dog- berry , will be ultimately successful . Dogberry , one ...
... mood of light - heartedness Don John is per- mitted to intrude an episode of tragedy , but the audience need not be genuinely fearful that he , a villain who can be exposed by Dog- berry , will be ultimately successful . Dogberry , one ...
Página 58
... mood in the main plot is fierce , and the comic world of the sub - plot has a bawdiness and grossness not often paralleled elsewhere in Shakespeare . The comedies have been described as ' dark ' , and as the product of a cynical mood ...
... mood in the main plot is fierce , and the comic world of the sub - plot has a bawdiness and grossness not often paralleled elsewhere in Shakespeare . The comedies have been described as ' dark ' , and as the product of a cynical mood ...
Página 109
... moods of fashion and dissipa- tion into a not very shapely farce with a romantic and sentimental plot added . But it served , for it was of the mood of the age . His next comedy , She Would if She Could ( 1668 ) , showed how quickly he ...
... moods of fashion and dissipa- tion into a not very shapely farce with a romantic and sentimental plot added . But it served , for it was of the mood of the age . His next comedy , She Would if She Could ( 1668 ) , showed how quickly he ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote