A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 98
... manners ' comedy of Congreve . Lady Frugal is a proud , extravagant female martinet , who rules her daughters and her husband's raffish brother . The moral is expressed in the conclusion by Sir John Frugal : Make you good Your promised ...
... manners ' comedy of Congreve . Lady Frugal is a proud , extravagant female martinet , who rules her daughters and her husband's raffish brother . The moral is expressed in the conclusion by Sir John Frugal : Make you good Your promised ...
Página 109
... manners , the topics of conversation are those of the real town and of the passing day . The hero is in all superficial accomplishments exactly the fine gentleman whom every youth in the pit would gladly resemble . The heroine is the ...
... manners , the topics of conversation are those of the real town and of the passing day . The hero is in all superficial accomplishments exactly the fine gentleman whom every youth in the pit would gladly resemble . The heroine is the ...
Página 130
... manners tradition , superimposed moral and didactic elements . More important than Cibber was Sir Richard Steele ( 1672-1729 ) , who wrote a number of plays of sensibility : The Funeral ( 1701 ) , The Lying Lover ( 1703 ) , The Tender ...
... manners tradition , superimposed moral and didactic elements . More important than Cibber was Sir Richard Steele ( 1672-1729 ) , who wrote a number of plays of sensibility : The Funeral ( 1701 ) , The Lying Lover ( 1703 ) , The Tender ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote