A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 24
... less prolix , with a fine quality of directness and pathos in its verse . Its theme is given the same human quality as is found in The Pilgrim's Progress , which is a very similar story . The audience of both these works knows that they ...
... less prolix , with a fine quality of directness and pathos in its verse . Its theme is given the same human quality as is found in The Pilgrim's Progress , which is a very similar story . The audience of both these works knows that they ...
Página 47
... less competent contemporaries . The theory is improbable , for it is doubtful whether a very young dramatist , as yet untried , would be assigned such a task . It is more likely that the Quarto plays represent very corrupt versions of ...
... less competent contemporaries . The theory is improbable , for it is doubtful whether a very young dramatist , as yet untried , would be assigned such a task . It is more likely that the Quarto plays represent very corrupt versions of ...
Página 157
... less at his ease , and he wrote some things about dictatorships which one could prefer unwritten . The century entered into a tragic period , and the great master of comedy seemed less appropriate . It was this change in values that led ...
... less at his ease , and he wrote some things about dictatorships which one could prefer unwritten . The century entered into a tragic period , and the great master of comedy seemed less appropriate . It was this change in values that led ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote