A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 52
... imagination he had not previously attained . Among many other passages there is Theseus's speech which probably defines Shakespeare's own de- finition of the creative process : And as imagination bodies forth The forms of things unknown ...
... imagination he had not previously attained . Among many other passages there is Theseus's speech which probably defines Shakespeare's own de- finition of the creative process : And as imagination bodies forth The forms of things unknown ...
Página 181
... imaginative play was too far from the ritualistic drama to which his mind was moving . The rejection of The Silver Tassie was the end of the most imaginative period in the Abbey , and though it was not the end of O'Casey as a dramatist ...
... imaginative play was too far from the ritualistic drama to which his mind was moving . The rejection of The Silver Tassie was the end of the most imaginative period in the Abbey , and though it was not the end of O'Casey as a dramatist ...
Página 206
... imagination and much dramatic originality with- out ever gaining any major success with audiences . He was older than the writers who have been considered above and , born in 1918 , he had six years wartime experience in the army . He ...
... imagination and much dramatic originality with- out ever gaining any major success with audiences . He was older than the writers who have been considered above and , born in 1918 , he had six years wartime experience in the army . He ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote