A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 24
... human fea- tures . One of the earliest of these moralities is The Castle of Per- severance ( of the early fifteenth ... human quality as is found in The Pilgrim's Progress , which is a very similar story . The audience of both these ...
... human fea- tures . One of the earliest of these moralities is The Castle of Per- severance ( of the early fifteenth ... human quality as is found in The Pilgrim's Progress , which is a very similar story . The audience of both these ...
Página 63
... human and close to ordinary human motives , but Coriolanus endures a pride which is a specialized emotion . The spectator can identify himself with Hamlet and Antony , but he has to watch Coriolanus ; even then his motives are ...
... human and close to ordinary human motives , but Coriolanus endures a pride which is a specialized emotion . The spectator can identify himself with Hamlet and Antony , but he has to watch Coriolanus ; even then his motives are ...
Página 83
... human mind , and this he attempted to express in tragedy . It can be found in the dedication to The Revenge : ' material instruction , elegant and sententious excitation to virtue and deflection from her contrary , being the soul ...
... human mind , and this he attempted to express in tragedy . It can be found in the dedication to The Revenge : ' material instruction , elegant and sententious excitation to virtue and deflection from her contrary , being the soul ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote