A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 73
... followed the Masque of Beauty , prepared by royal command , and others followed , includ- ing in 1609 The Masque of Queens . The greatness of his achieve- ment lies elsewhere , but the masques , like his odes and lyrics and his critical ...
... followed the Masque of Beauty , prepared by royal command , and others followed , includ- ing in 1609 The Masque of Queens . The greatness of his achieve- ment lies elsewhere , but the masques , like his odes and lyrics and his critical ...
Página 127
... followed by Nicholas Rowe . Of these the most distinctive was Thomas Otway ( 1652–85 ) . He had begun with rhymed tragedies , following without any distinguishing excellence the fashion of the age in Alcibiades ( 1674 ) and Don Carlos ...
... followed by Nicholas Rowe . Of these the most distinctive was Thomas Otway ( 1652–85 ) . He had begun with rhymed tragedies , following without any distinguishing excellence the fashion of the age in Alcibiades ( 1674 ) and Don Carlos ...
Página 199
... followed some years after the Second World War with The River Line ( 1952 ) and The Burning Glass ( 1954 ) . It is said that he wrote The Flashing Stream in a period when he found progress with a novel difficult , and his early naval ...
... followed some years after the Second World War with The River Line ( 1952 ) and The Burning Glass ( 1954 ) . It is said that he wrote The Flashing Stream in a period when he found progress with a novel difficult , and his early naval ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote