A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 53
Página 25
... elements of secularism , which appear in the miracle and morality plays , there develops an ' Interlude ' , which is frequently made and produced solely for its dramatic interest . One of the earliest is Hyckescorner of the beginning of ...
... elements of secularism , which appear in the miracle and morality plays , there develops an ' Interlude ' , which is frequently made and produced solely for its dramatic interest . One of the earliest is Hyckescorner of the beginning of ...
Página 26
... Elements and Gentleness and Nobility are other interludes which have been assigned to John Rastell's authorship . The Four Elements is in the form of a dialogue , or discussion . Its purpose is to instruct ' Humanity ' in the nature of ...
... Elements and Gentleness and Nobility are other interludes which have been assigned to John Rastell's authorship . The Four Elements is in the form of a dialogue , or discussion . Its purpose is to instruct ' Humanity ' in the nature of ...
Página 141
... elements of obscurity intruded , but Sheridan maintains a complex movement with complete clarity , and shows the strength of his command , particularly in episodes such as the famous screen scene . The characters , too , are penetrating ...
... elements of obscurity intruded , but Sheridan maintains a complex movement with complete clarity , and shows the strength of his command , particularly in episodes such as the famous screen scene . The characters , too , are penetrating ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote