A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 38
... early tragedies . It may indeed be the earliest tragedy in England in which the Senecan motives had been made theatrically effective in a play intelligible to a general audience . Written possibly as early as 1587 , it went through a ...
... early tragedies . It may indeed be the earliest tragedy in England in which the Senecan motives had been made theatrically effective in a play intelligible to a general audience . Written possibly as early as 1587 , it went through a ...
Página 42
... early as 1584 , and certainly one of the earliest of the plays , and one of the most charming , is without allegory . Its plot deals with Campaspe , a captive of Alexander's with whom the painter Apelles fell in love , and the Emperor ...
... early as 1584 , and certainly one of the earliest of the plays , and one of the most charming , is without allegory . Its plot deals with Campaspe , a captive of Alexander's with whom the painter Apelles fell in love , and the Emperor ...
Página 145
... early as 1850 , and Pillars of Society by 1877 , and it is a sobering exercise to compare these with the best that was being written in England at the same dates . In England itself a number of new conditions contributed to improvement ...
... early as 1850 , and Pillars of Society by 1877 , and it is a sobering exercise to compare these with the best that was being written in England at the same dates . In England itself a number of new conditions contributed to improvement ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote