A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 66
Página 14
... dramatist . All the non - dramatic writer needs is leisure and the tools of his trade and an interval of modest economic freedom . But the dramatist must have financial backing if his work is to appear in the theatre . Again , the self ...
... dramatist . All the non - dramatic writer needs is leisure and the tools of his trade and an interval of modest economic freedom . But the dramatist must have financial backing if his work is to appear in the theatre . Again , the self ...
Página 30
... dramatist of the time of Nero should become the major influence on English tragedy in the sixteenth century . But he was , in the first place , far more easily accessible than any Greek dramatist , for few of the Elizabethan dramatists ...
... dramatist of the time of Nero should become the major influence on English tragedy in the sixteenth century . But he was , in the first place , far more easily accessible than any Greek dramatist , for few of the Elizabethan dramatists ...
Página 174
... dramatist . In England , at least , radio renderings have extended the audience of The Forsyte Saga , while the dramatist remains neg- lected and unacted . Yet on any historical assessment such as has been the approach throughout this ...
... dramatist . In England , at least , radio renderings have extended the audience of The Forsyte Saga , while the dramatist remains neg- lected and unacted . Yet on any historical assessment such as has been the approach throughout this ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote