A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 22
... complete cycle of the biblical story had been made . For instance , the story of the Creation was easily presented in this manner , and with each addition the liturgical play grew closer to legitimate drama . The element of devotion ...
... complete cycle of the biblical story had been made . For instance , the story of the Creation was easily presented in this manner , and with each addition the liturgical play grew closer to legitimate drama . The element of devotion ...
Página 67
... complete seriousness , but its vocabulary became a popular fashion in sophis- ticated conversation and this again Jonson exploited . In the come- dies the result is that one quality was affixed to each character and this was exposed in ...
... complete seriousness , but its vocabulary became a popular fashion in sophis- ticated conversation and this again Jonson exploited . In the come- dies the result is that one quality was affixed to each character and this was exposed in ...
Página 183
... complete without one of his plays and , indeed , two were often available at the same time in West End theatres . These were nearly all comedies of elegant life in which cynicism mingled with commentary . It must be confessed that ...
... complete without one of his plays and , indeed , two were often available at the same time in West End theatres . These were nearly all comedies of elegant life in which cynicism mingled with commentary . It must be confessed that ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote