A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 9
Página 34
... companies . The children in certain schools also gave plays . Later the regular companies of children acted at times in competition with the male professional companies of adult players . There are echoes of rivalry between the boy ...
... companies . The children in certain schools also gave plays . Later the regular companies of children acted at times in competition with the male professional companies of adult players . There are echoes of rivalry between the boy ...
Página 162
... companies maintained by private patronage ; such was that of Miss Horniman in Manchester and that of Sir Barry Jackson in Birmingham . Nor was Sir Barry a remote patron who merely found finance : he directed plays , encouraged new ...
... companies maintained by private patronage ; such was that of Miss Horniman in Manchester and that of Sir Barry Jackson in Birmingham . Nor was Sir Barry a remote patron who merely found finance : he directed plays , encouraged new ...
Página 164
... companies who qualified under the somewhat clumsy formula that their work was ' educational , or partly educational ' . Fortunately the Customs authorities interpreted this formula in a very generous way . The Council was also able to ...
... companies who qualified under the somewhat clumsy formula that their work was ' educational , or partly educational ' . Fortunately the Customs authorities interpreted this formula in a very generous way . The Council was also able to ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote