A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 11
... sixteen - nineties of the close and continuous association of a group of artists never fully returned , and the drama has consequently suffered . During the Restoration period the cultivated public con- II INTRODUCTORY II.
... sixteen - nineties of the close and continuous association of a group of artists never fully returned , and the drama has consequently suffered . During the Restoration period the cultivated public con- II INTRODUCTORY II.
Página 23
... close vivid description of a realistic nature . Such can be found in the description of the ship in the Noah play . Further , there is dialogue of a most natural , human and contemporary kind . It can be seen in the vivid ...
... close vivid description of a realistic nature . Such can be found in the description of the ship in the Noah play . Further , there is dialogue of a most natural , human and contemporary kind . It can be seen in the vivid ...
Página 65
... close unity of theme . Many of the characters , unlike those elsewhere in Shakespeare , seem abstractions , and of these Caliban is a profound conception , based in part on his reading of Montaigne and of the voyages of discovery . The ...
... close unity of theme . Many of the characters , unlike those elsewhere in Shakespeare , seem abstractions , and of these Caliban is a profound conception , based in part on his reading of Montaigne and of the voyages of discovery . The ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote