A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 59
... becomes involved , and indeed more interested , in the Achilles and Ajax theme . The Cressida story he found frus- trating ... become part of the ' world's debate ' . Each possessed a great nature and outstanding gifts and yet had some ...
... becomes involved , and indeed more interested , in the Achilles and Ajax theme . The Cressida story he found frus- trating ... become part of the ' world's debate ' . Each possessed a great nature and outstanding gifts and yet had some ...
Página 74
... become popular . As a play Marston's piece will not compare with Hamlet , for it is undigested and theatrically unsure . But part of the conception is there and a great deal of the atmosphere . Incidentally it is of interest that ...
... become popular . As a play Marston's piece will not compare with Hamlet , for it is undigested and theatrically unsure . But part of the conception is there and a great deal of the atmosphere . Incidentally it is of interest that ...
Página 88
... becomes the centre of the action , and so , despite a multiplicity of episodes , she remains to the end . She meets tempestuously , and with a grand gesture , the retribution of the crimes which she ini- tiated . The scene is written ...
... becomes the centre of the action , and so , despite a multiplicity of episodes , she remains to the end . She meets tempestuously , and with a grand gesture , the retribution of the crimes which she ini- tiated . The scene is written ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote