A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 71
... audiences , and this , the happiest and most farcical of Jonson's comedies , was not an immediate success . The secret of the silent woman is kept back not only from the spectators but from the other players until the final moment and ...
... audiences , and this , the happiest and most farcical of Jonson's comedies , was not an immediate success . The secret of the silent woman is kept back not only from the spectators but from the other players until the final moment and ...
Página 189
... audiences who obviously appealed to him . He was fortunate for his next attempt to find not only a strong theme , closely adapted to his interests , but an audience that was alert , intelligent and sympathetic . So he came to write ...
... audiences who obviously appealed to him . He was fortunate for his next attempt to find not only a strong theme , closely adapted to his interests , but an audience that was alert , intelligent and sympathetic . So he came to write ...
Página 193
... audiences to welcome , with exceptional readiness , the romantic excitement that the Shakespearian plays could ... audiences , and something like a debt of gratitude to an author who could produce words that were so resplendent in a ...
... audiences to welcome , with exceptional readiness , the romantic excitement that the Shakespearian plays could ... audiences , and something like a debt of gratitude to an author who could produce words that were so resplendent in a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote