A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 42
... achievement in tragedy . The most considerable achievement is that of John Lyly ( 1554–1606 ) , though his courtly comedies are so full of contemporary interests and fashions that they are little likely to appeal to a modern audience ...
... achievement in tragedy . The most considerable achievement is that of John Lyly ( 1554–1606 ) , though his courtly comedies are so full of contemporary interests and fashions that they are little likely to appeal to a modern audience ...
Página 45
... achievement of pre - Shakespearian comedy . There is little here to compare with Marlowe . In the terms of acceptance by contemporary audiences Lyly is probably the master . Few , if any , of these plays can find their way back to the ...
... achievement of pre - Shakespearian comedy . There is little here to compare with Marlowe . In the terms of acceptance by contemporary audiences Lyly is probably the master . Few , if any , of these plays can find their way back to the ...
Página 72
... achievements . Jonson , having failed in tragedy constructed on his own principles , seems to go on holiday . It is ... achievement , as the prologues to Every Man in His Humour and Henry V indicate . But apart from some rivalry and a ...
... achievements . Jonson , having failed in tragedy constructed on his own principles , seems to go on holiday . It is ... achievement , as the prologues to Every Man in His Humour and Henry V indicate . But apart from some rivalry and a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote