A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 28
... Plautus and Terence , the comedy of Italy , and , in tragedy , the influence of Seneca . All this disturbed any regular native development from the interlude to Elizabethan drama . The new forms were far more ambitious than the old ...
... Plautus and Terence , the comedy of Italy , and , in tragedy , the influence of Seneca . All this disturbed any regular native development from the interlude to Elizabethan drama . The new forms were far more ambitious than the old ...
Página 33
... Plautus and Terence , gave to English comedy a sense of , pattern which it had not previously possessed . This Latin influence was partly due to a number of schoolmasters who read Latin plays with their pupils . The first comedy on ...
... Plautus and Terence , gave to English comedy a sense of , pattern which it had not previously possessed . This Latin influence was partly due to a number of schoolmasters who read Latin plays with their pupils . The first comedy on ...
Página 51
... Plautus of which a translation was published in 1595 , and from the Amphitruo . Shakespeare could probably read Plautus comfortably for himself in Latin . His scene is Ephesus , and in con- trast to his romantic plays he preserves a ...
... Plautus of which a translation was published in 1595 , and from the Amphitruo . Shakespeare could probably read Plautus comfortably for himself in Latin . His scene is Ephesus , and in con- trast to his romantic plays he preserves a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote