A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 67
... Jonson the ' rules ' were not merely practical precepts , to be used if convenient , but dictates founded on authority which every good man must follow . Though often forced by the necessities of the theatre and by con- cessions to his ...
... Jonson the ' rules ' were not merely practical precepts , to be used if convenient , but dictates founded on authority which every good man must follow . Though often forced by the necessities of the theatre and by con- cessions to his ...
Página 71
... Jonson's comedies , was not an immediate success . The secret of the silent woman is kept back not only from the spectators but from the other players until the final moment and this seems to have disconcerted the audience . Dryden and ...
... Jonson's comedies , was not an immediate success . The secret of the silent woman is kept back not only from the spectators but from the other players until the final moment and this seems to have disconcerted the audience . Dryden and ...
Página 73
... Jonson had a learning which , however acquired , Shakespeare did not possess . Apart from his plays Jonson showed his theatrical skill in the production of courtly masques . These entertainments , in which nobly - born amateurs , and ...
... Jonson had a learning which , however acquired , Shakespeare did not possess . Apart from his plays Jonson showed his theatrical skill in the production of courtly masques . These entertainments , in which nobly - born amateurs , and ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote