A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 27
Página 47
... Henry VI plays ( Parts I , II , and III ) . Of these I Henry VI ( Folio version only ) , has some scenes by Shakespeare , the Temple Garden scene and certain of the Talbot scenes , but much of the rest may be by other hands . Thus , as ...
... Henry VI plays ( Parts I , II , and III ) . Of these I Henry VI ( Folio version only ) , has some scenes by Shakespeare , the Temple Garden scene and certain of the Talbot scenes , but much of the rest may be by other hands . Thus , as ...
Página 56
Benjamin Ifor Evans. which appeared with I and II Henry IV and Henry V. The Bastard sees clearly through the pretence of chivalry in those around him . Life he knows to be a deceit , for he was born by a deceit , so he will judge not by ...
Benjamin Ifor Evans. which appeared with I and II Henry IV and Henry V. The Bastard sees clearly through the pretence of chivalry in those around him . Life he knows to be a deceit , for he was born by a deceit , so he will judge not by ...
Página 57
... Henry V Shakespeare's work in the English history plays ends , except for that elaborate piece of pageantry Henry VIII of which he was part author . From English history he had moved with great success to a Roman theme in Julius Caesar ...
... Henry V Shakespeare's work in the English history plays ends , except for that elaborate piece of pageantry Henry VIII of which he was part author . From English history he had moved with great success to a Roman theme in Julius Caesar ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 12 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote