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First her eye kindles [eyes kindle] other ladies' eyes,
Then from their beams their jewels' lustres rise;

And from their jewels torches do take fire,

And all is warmth, and light, and good desire.'-DONNE1.

They were in very little care to clothe their notions with 88 elegance of dress, and therefore miss the notice and the praise which are often gained by those who think less, but are more

diligent to adorn their thoughts.

That a mistress beloved is fairer in idea than in reality is by 89 Cowley thus expressed:

'Thou in my fancy dost much higher stand,

Than women can be plac'd by Nature's hand;
And I must needs, I'm sure, a loser be,

To change thee, as thou'rt there, for very thee'.'

That prayer and labour should co-operate are thus taught 90 by Donne :

'In none but us, are such mixt engines found,

As hands of double office: for the ground

We till with them; and them to heaven we raise;

Who prayerless labours, or without this prays,

Doth but one half, that's none 3.'

By the same author a common topick, the danger of procrasti- 91 nation, is thus illustrated:

'That which I should have begun

In my youth's morning, now late must be done;

And I, as giddy travellers must do,

Which stray or sleep all day, and having lost

Light and strength, dark and tir'd must then ride post *.'

(All that Man has to do is to live and die; the sum of humanity 92 is comprehended by Donne in the following lines:

'Think in how poor a prison thou didst lie

After, enabled but to suck and cry.

Think, when 'twas grown to most, 'twas a poor inn,

A province pack'd up in two yards of skin,

And that usurp'd, or threaten'd with a [the] rage

Of sicknesses, or their true mother, age.

But think that death hath now enfranchis'd thee;
Thou hast thy expansion now, and liberty;
Think, that a rusty piece discharg'd is flown

In pieces, and the bullet is his own,

' Grosart's Donne, i. 262.

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94

And freely flies: this to thy soul allow,

Think thy shell broke, think thy soul hatch'd but now'.' They were sometimes indelicate and disgusting. Cowley thus apostrophises beauty:

'-Thou tyrant, which leav'st no man free!

Thou subtle thief, from whom nought safe can be!

Thou murtherer, which hast kill'd, and devil, which would'st damn me!'

Thus he addresses his Mistress :

'Thou who, in many a propriety,

So truly art the sun to me,

Add one more likeness, which I'm sure you can,
And let me and my sun beget a man 3."

Thus he represents the meditations of a Lover:

'Though in thy thoughts scarce any tracts have been

So much as of original sin,

Such charms thy beauty wears as might

Desires in dying confest saints excite.
Thou with strange adultery

Dost in each breast a brothel keep;
Awake, all- men do lust for thee,
And some enjoy thee when they sleep'.'

The true taste of Tears:

Hither with crystal vials, lovers, come,

And take my tears, which are Love's wine,

And try your mistress' tears at home;

For all are false that taste not just like mine.'

95

This is yet more indelicate:

'As the sweet sweat of roses in a still,

DONNE 5.

As that which from chaf'd musk-cat's pores doth trill,
As the almighty balm of th' early East,

Such are the sweet drops of [on] my mistress' breast.
And on her neck her skin such lustre sets,

They seem no sweat-drops, but pearl coronets [carkanets] Rank sweaty froth thy mistress' brow defiles.'-DONNE. 96 Their expressions sometimes raise horror, when they intend perhaps to be pathetick:

'As men in hell are from diseases free,

So from all other ills

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4 Ib. viii. 95.

5 Grosart's Donne, ii. 186.
6 Ib. i. 183.

Free from their known formality:

But all pains eminently lie in thee.'-COWLEY '.

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THEY were not always strictly curious whether the opinions 97
from which they drew their illustrations were true; it was enough
that they were popular. Bacon remarks that some falsehoods
are continued by tradition, because they supply commodious
allusions 2.

'It gave a piteous groan, and so it broke;
In vain it something would have spoke:
The love within too strong for 't was,

Like poison put into a Venice-glass.'-COWLEY3.

IN forming descriptions they looked out not for images, but 98 for conceits. Night has been a common subject, which poets have contended to adorn. Dryden's Night is well known*; Donne's is as follows:

'Thou seest me here at midnight; now all rest,
Time's dead low-water; when all minds divest
To-morrow's business; when the labourers have
Such rest in bed, that their last church-yard grave,
Subject to change, will scarce be a type of this.
Now when the client, whose last hearing is
To-morrow, sleeps; when the condemned man-
Who when he opes his eyes must shut them then
Again by death-although sad watch he keep,
Doth practise dying by a little sleep;
Thou at this midnight seest me3.'

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IT must be however confessed of these writers that if they 99 are upon common subjects often unnecessarily and unpoetically subtle, yet where scholastick speculation can be properly admitted, their copiousness and acuteness may justly be admired. What Cowley has written upon Hope shews an unequalled rais fertility of invention:

I

Hope, whose weak being ruin'd is,
Alike if it succeed, and if it miss;

Whom good or ill does equally confound,

And both the horns of Fate's dilemma wound;

Eng. Poets, viii. 75.

'As things now are, if an untruth

in nature be once on foot, what by reason of the neglect of examination and countenance of antiquity, and what by reason of the use of the opinion in similitudes and ornaments

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If things then from their end we happy call,
'Tis Hope is the most hopeless thing of all.

Hope, thou bold taster of delight,

Who, whilst thou should'st but taste, devour'st it quite!
Thou bring'st us an estate, yet leav'st us poor,
By clogging it with legacies before!

The joys which we entire should wed,
Come deflower'd virgins to our bed;
Good fortunes without gain imported be,
Such mighty custom's paid to thee:

For joy, like wine, kept close does better taste:
If it take air before, its spirits waste'.'

100 To the following comparison of a man that travels and his wife that stays at home with a pair of compasses, it may be doubted whether absurdity or ingenuity has the better claim :

'Our two souls therefore, which are one,
Though I must go, endure not yet

A breach, but an expansion,

Like gold to airy thinness beat.

If they be two, they are two so
As stiff twin-compasses are two:
Thy soul, the fixt foot, makes no show
To move, but doth, if th' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans, and hearkens after it,

And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.'

1 Eng. Poets, viii. 54.

2 Grosart's Donne, ii. 211, where the poem is entitled Upon Partinge from his Mistris. Walton, quoting the whole poem (A Valediction, Forbidding to Mourn), says 'they were given by Mr. Donne to his wife at the time he parted from her,' when he accompanied the English am

bassador to Paris.
1838, p. 28.

DONNE 2.

Walton's Lives,

A curious mathematical quatrain of Omar's has been pointed out to me; the more curious because almost exactly paralleled by some verses of Dr. Donne's. Here is Omar :"You and I are the image of a pair of compasses, though we have two

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In all these examples it is apparent that whatever is im- 101 proper or vicious is produced by a voluntary deviation from nature in pursuit of something new and strange, and that the writers fail to give delight by their desire of exciting admiration. HAVING thus endeavoured to exhibit a general representation 102 of the style and sentiments of the metaphysical poets, it is now proper to examine particularly the works of Cowley, who was almost the last of that race and undoubtedly the best.

Cowley
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His Miscellanies contain a collection of short compositions, 103 written some as they were dictated by a mind at leisure, and some as they were called forth by different occasions; with great variety of style and sentiment, from burlesque levity to awful grandeur. Such an assemblage of diversified excellence no other poet has hitherto afforded. To choose the best among many good is one of the most hazardous attempts of criticism. I know not whether Scaliger himself has persuaded many readers to join with him in his preference of the two favourite odes, which he estimates in his raptures at the value of a kingdom'. I will however venture to recommend Cowley's first piece, which ought to be inscribed To my Muse, for want of which the second couplet is without reference2. When the title is added, there will still remain a defect; for every piece ought to contain in itself whatever is necessary to make it

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Pindari et Nemeonicarum, quarum
similes malim composuisse quam
esse totius Tarraconensis Rex.' Iul.
Caesaris Scaligeri Poetices libri
septem. Apud Antonium Vincen-
tium. M.D.LXI. libr. vi. p. 339 A,B.
The passage is quoted in the Del-
phine Horace (1776), p. 344.]

2 It is inscribed The Motto. It
begins:-

'What shall I do to be for ever
known,

And make the age to come my
own?

I shall like beasts or common people
die,

Unless you write my elegy.'

Eng. Poets, vii. 107. 'We have had in our language,' wrote Gray, 'no other odes of the sublime kind than that of Dryden On St. Cecilia's Day; for Cowley, who had his merit, yet wanted judgment, style and harmony for such a task.' Mitford's Gray, i. 36 n.

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