TIME VINDICATED, &c.] This Entertainment, which forms a kind of retort courteous to the scurrilous satires now dispersed with mischievous activity, appears only in the second folio. The light parts of it are composed with great gaiety and humour; and the singing and dancing must have been given with great effect among the rich and beautiful concomitants of scenery, &c. that surrounded them. In the Dulwich College MS. this is called the Prince's Masque ; its unusual splendor seems to have induced the Master of the Revels (Sir John Astley) to enter into a more particular mention of it than is common with these costive gentlemen. "Upon New-year's day at night, the Alchemist was acted by the King's players. "Upon Sonday, being the 19th of January, (1623) the Princes Masque appointed for Twelfe daye, was performed. The speeches and songs composed by Mr. Ben Johnson, and the scene made by Mr. Inigo Jones, which was three times changed during the tyme of the Masque, wherein the first that was discovered was a prospective of Whitehall, with the Banqueting House; the second was the Masquers in a cloud; and the third a forest. The French embassador was present, "Antemasques were of tumblers and jugglers. The Prince did lead the measures with the French embassadors wife. "The measures, braules, corrantos, and galliards being ended, the Masquers with the ladies did daunce two contrey dances, where the French embassadors wife and Mademoysal St. Luke did daunce." Malone's Hist. of the Eng. Stage. TIME VINDICATED. The Court being seated, a Trumpet sounded, and FAME entered, followed by the CURIOUS, the EYED, the EARED, and the Nosed.' Fame. Give ear, the worthy, hear what Fame proclaims. Ears. What, what? is't worth our ears? Nose. Or noses? For we are curious, Fame; indeed, THE CURIOUS. Eyes. We come to spy. Ears. And hearken. Nose. And smell out. Fame. More than you understand, my hot inquisitors. Nose. We cannot tell. Eyes. It may be. Ears. However, go you on, let us alone. meant. Nose. And nose the thing you scent not. First, whence come you? Fame. I came from Saturn. Ears. Saturn! what is he? Nose. Some Protestant, I warrant you, a timeserver, As Fame herself is. The Eyed, &c.] It appears, from the sequel, that the masks of the performers were furnished with numerous eyes, ears, and noses, respectively. Fame. You are near the right. Indeed, he's Time itself, and his name CHRONOS. Nose. How! Saturn! Chronos! and the Time itself! You are found: enough. A notable old pagan! Ears. One of their gods, and eats up his own children. Nose. A fencer, and does travel with a scythe, 'Stead of a long sword, Eyes. Hath been oft call'd from it, To be their lord of Misrule.' Ears. As Cincinnatus Was from the plough, to be dictator. Eyes. Yes. We need no interpreter: on, what of Time? Fame. The Time hath sent me with my trump to summon All sorts of persons worthy, to the view Nose. O, we shall have his Saturnalia. Eyes. Slaves of their lords. Nose. The servants of their masters. To be their lord of Misrule.] "In the feast of Christmass, there was in the king's house, wheresoever he was lodged, a lord of misrule, or master of merry disports; and the like had ye in the house of every noble man of honour, or good worship, were he spiritual or temporal." Stow. In the following verses the poet alludes to that liberty which reigned amongst the Romans during the Saturnalia, or feasts of Saturn. These were appointed to remind them of the general equality between all men in the first age. WHAL. Ears. It was a brave time that! I spy it coming, peace! All the impostures, The knaveries of the time, we shall see all now. Ears. And hear the passages, and several humours Of men, as they are sway'd by their affections: Some grumbling, and some mutining, some scoffing, Some pleased, some pining; at all these we laughing. Nose. I have it here, here, strong, the sweat of it, And the confusion, which I love-I nose it; It tickles me. Eyes. My four eyes itch for it. Ears. And my ears tingle; would it would come forth: This room will not receive it. Nose. That's the fear. Enter CHRONOMASTIX. Chro. What, what, my friends, will not this room receive? Eyes. That which the Time is presently to shew us. Chro. The Time! Lo, I, the man that hate the time, That is, that love it not; and (though in rhyme Ears. 'Tis Chronomastix, the brave satyr. Nose. The gentleman-like satyr, cares for nobody, His forehead tipt with bays, do you not know him? Eyes. Yes, Fame must know him, all the town admires him. Chro. If you would see Time quake and shake, but name us, It is for that, we are both beloved and famous. Eyes. We know, sir: but the Time's now come about. Ears. And promiseth all liberty. Nose. Nay, license. Eyes. We shall do what we list. Ears. Talk what we list. Nose. And censure whom we list, and how we list. Chro. Then I will look on Time, and love the same, And drop my whip: who's this? my mistress, Fame! The lady whom I honour, and adore! What luck had I not to see her before! Pardon me, madam, more than most accurst, Dear mistress, not for hope I have, the Time Fame. Away, I know thee not, wretched im- Creature of glory, mountebank of wit, Self-loving braggart, Fame doth sound no trumpet Thou serv'st, and follow'st, scorn of all the Muses! Chro. O, you, the Curious, |