Samuel Johnson's Literary CriticismUniversity of Nebraska Press, 1974 - 286 páginas |
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Página 59
... action or propriety of exhibition . An act is only the representation of such a part of the business of the play as proceeds in an unbroken tenor , or without any intermediate pause . Nothing is more evident than that of every real ...
... action or propriety of exhibition . An act is only the representation of such a part of the business of the play as proceeds in an unbroken tenor , or without any intermediate pause . Nothing is more evident than that of every real ...
Página 153
... action , and an action must be in some place ; but the different actions that compleat a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first Athens , and then Sicily ...
... action , and an action must be in some place ; but the different actions that compleat a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first Athens , and then Sicily ...
Página 154
Samuel Johnson Robert D. Stock. sive actions , and why may not the second imitation represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to intervene ? Time is ...
Samuel Johnson Robert D. Stock. sive actions , and why may not the second imitation represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to intervene ? Time is ...
Contenido
FROM THE PERIODICAL CRITICISM 175059 | 1 |
Rambler nos 86 88 and 90 Paradise Lost | 65 |
Preface To A Dictionary of the English Language 1755 | 101 |
Derechos de autor | |
Otras 14 secciones no mostradas
Términos y frases comunes
action allowed ancient appears attention beauties beginning censure character common considered copies criticism delight desire diction diligence discovered Dryden easily easy edition effect elegance endeavoured English equally Essay excellence exhibit expression faults force frequently genius give happy hope human ideas ignorance images imagination imitation interest Johnson kind knowledge known labour language learning less living lost manners meaning Milton mind moral nature necessary never notes observed once opinion original pass passages passions pastoral performance perhaps play pleasing pleasure poem poet poetical poetry Pope praise Preface present principles produced reader reason remarks requires rest rules says scenes seems seldom sense sentiments Shakespeare shew sometimes sound suffered sufficient supply suppose surely things thought tion tragedy true truth verse virtue wish writer written