Famous Introductions to Shakespeare's Plays by the Notable Editors of the Eighteenth CenturyBeverley Ellison Warner B. Franklin, 1968 - 268 páginas |
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Página xxiv
... seem to be less naturally studied than Rosalind . King Lear " and " Macbeth " are as spontaneous as " Twelfth Night , " and far more so than the " Midsummer Night's Dream . ” But Johnson de- clares that “ His tragedy seems to be skill ...
... seem to be less naturally studied than Rosalind . King Lear " and " Macbeth " are as spontaneous as " Twelfth Night , " and far more so than the " Midsummer Night's Dream . ” But Johnson de- clares that “ His tragedy seems to be skill ...
Página 121
... seems to produce without labour , what no labour can improve . In tragedy he is always struggling after some occasion to be comick , but in comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial to his nature ...
... seems to produce without labour , what no labour can improve . In tragedy he is always struggling after some occasion to be comick , but in comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial to his nature ...
Página 175
... seems to have belonged to the play - house , by having the parts divided by lines , and the actors ' names in the margin ) , where several of those very passages were added in a written hand , which since are to be found in the folio ...
... seems to have belonged to the play - house , by having the parts divided by lines , and the actors ' names in the margin ) , where several of those very passages were added in a written hand , which since are to be found in the folio ...
Otras ediciones - Ver todas
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1906 |
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Términos y frases comunes
acquaintance admirers ancient appear beauties Ben Jonson Cæsar censure century character collation comedy common Condell conjecture correct corrupt criticism death diligence drama dramatick edition editor EDMUND MALONE emendations endeavoured English errors excellence fable faults favour genius George Steevens hath Heminge HENRIE CONDELL honour ignorance imitation JOHN HEMINGE Jonson judgment Julius Cæsar King Henry King Lear knowledge labour language learning Lewis Theobald Love's Labour's Lost Malone manner meaning modern nature negligence never NICHOLAS ROWE notes obscure observed old copies opinion original passages passion perhaps pieces players plays pleasure poet poet's poetry Pope Pope's praise preface printed publick published quarto reader reason restore Romeo and Juliet Rowe scenes seems Shakespeare stage Steevens Stratford supposed taste Theobald thing thought tion Titus Andronicus tragedy Troilus and Cressida true truth volumes Warburton words writer written