Famous Introductions to Shakespeare's Plays by the Notable Editors of the Eighteenth CenturyBeverley Ellison Warner B. Franklin, 1968 - 268 páginas |
Dentro del libro
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Página xi
... reader , save in the form of pro- legomena to expensive publications , usually either be- yond the purse , or otherwise inaccessible to the great majority of readers . That this body of criticism and interpretation should be within ...
... reader , save in the form of pro- legomena to expensive publications , usually either be- yond the purse , or otherwise inaccessible to the great majority of readers . That this body of criticism and interpretation should be within ...
Página xxvii
... readers can have original opinions . The herd - mind is not desirable . Every reader should be his own commentator , which is merely another way for say- ing that everyone should be able to form an independent judgment as to characters ...
... readers can have original opinions . The herd - mind is not desirable . Every reader should be his own commentator , which is merely another way for say- ing that everyone should be able to form an independent judgment as to characters ...
Página 97
... reader a body of canons for See Edwards ) literal criticism , drawn out in form , as well such as concern the art in general , as those that arise from the nature and circumstances of our author's works in par- ticular . And this for ...
... reader a body of canons for See Edwards ) literal criticism , drawn out in form , as well such as concern the art in general , as those that arise from the nature and circumstances of our author's works in par- ticular . And this for ...
Otras ediciones - Ver todas
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1906 |
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Términos y frases comunes
acquaintance admirers ancient appear beauties Ben Jonson Cæsar censure century character collation comedy common Condell conjecture correct corrupt criticism death diligence drama dramatick edition editor EDMUND MALONE emendations endeavoured English errors excellence fable faults favour genius George Steevens hath Heminge HENRIE CONDELL honour ignorance imitation JOHN HEMINGE Jonson judgment Julius Cæsar King Henry King Lear knowledge labour language learning Lewis Theobald Love's Labour's Lost Malone manner meaning modern nature negligence never NICHOLAS ROWE notes obscure observed old copies opinion original passages passion perhaps pieces players plays pleasure poet poet's poetry Pope Pope's praise preface printed publick published quarto reader reason restore Romeo and Juliet Rowe scenes seems Shakespeare stage Steevens Stratford supposed taste Theobald thing thought tion Titus Andronicus tragedy Troilus and Cressida true truth volumes Warburton words writer written