Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página xx
... whole subject of landscape is a world of illusions ; the only thing about Chap . II . P. G. Ham- it that is certainly not an illusion being the erton . effect on the mind of each particular human being who fancies that he sees something ...
... whole subject of landscape is a world of illusions ; the only thing about Chap . II . P. G. Ham- it that is certainly not an illusion being the erton . effect on the mind of each particular human being who fancies that he sees something ...
Página 5
... In fact these were considered hostile to each other . Why waste precious time over matters of a day's interest or wonder , when the whole of the eternal future depends on man's actions dur- ing his brief A BRIEF HISTORY 5.
... In fact these were considered hostile to each other . Why waste precious time over matters of a day's interest or wonder , when the whole of the eternal future depends on man's actions dur- ing his brief A BRIEF HISTORY 5.
Página 6
... whole view . The period was like winter in another way , for it pre- saged the spring though all that makes for culture and æstheticism seemed lost . For though the Roman in his decline had ceased from writing , and the rising German ...
... whole view . The period was like winter in another way , for it pre- saged the spring though all that makes for culture and æstheticism seemed lost . For though the Roman in his decline had ceased from writing , and the rising German ...
Página 15
... whole time to painting pure landscape ( see Plate 8 ) , and he aban- doned the human motive almost entirely in his pictures , although , as Turner also did with some of his , he still gave them classical names . He seems to have been ...
... whole time to painting pure landscape ( see Plate 8 ) , and he aban- doned the human motive almost entirely in his pictures , although , as Turner also did with some of his , he still gave them classical names . He seems to have been ...
Página 40
... whole sight . The colour of each painting was dif- ferent , and each picture would have been recognized anywhere as a specimen of work by each one of us , characteristic of our names . We had not the first desire of expressing our ...
... whole sight . The colour of each painting was dif- ferent , and each picture would have been recognized anywhere as a specimen of work by each one of us , characteristic of our names . We had not the first desire of expressing our ...
Otras ediciones - Ver todas
Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY