Landscape Painting and Modern Dutch Artists |
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Página 33
... great technical skill what they each saw , in a emotional way that showed how
intensely their feelings mankind , and emowere affected by the wonders and
beauty of tion is innature . compatible with accuThe study of nature must be the
basis ...
... great technical skill what they each saw , in a emotional way that showed how
intensely their feelings mankind , and emowere affected by the wonders and
beauty of tion is innature . compatible with accuThe study of nature must be the
basis ...
Página 57
He should strive to express his Magazine . ” Sept . , 1905 . thought and not the
surface of it . What avails a storm cloud accurate in form and colour , if the storm
is not therein ? ” " Imitation is not inspiration , and inspira - Ibid . tion only can give
...
He should strive to express his Magazine . ” Sept . , 1905 . thought and not the
surface of it . What avails a storm cloud accurate in form and colour , if the storm
is not therein ? ” " Imitation is not inspiration , and inspira - Ibid . tion only can give
...
Página 63
tion . ” H . We therefore must come to the conclusion that when an artist is able to
make us feel the A . N . A . tur eye . " “ If a pic - loveliness. * " Pictorial
Composition and the Critical Judgment of Pictures . ” Henry R . Poore , A . N . A .
New York ...
tion . ” H . We therefore must come to the conclusion that when an artist is able to
make us feel the A . N . A . tur eye . " “ If a pic - loveliness. * " Pictorial
Composition and the Critical Judgment of Pictures . ” Henry R . Poore , A . N . A .
New York ...
Página 117
... but that the artist was not distracted by any diffi - feels himAnd the self , after a
mphisms nis purpose . nu a short time tone and values are also right , without any
spent before it , discordant colour note to call away the attenblocked and tion .
... but that the artist was not distracted by any diffi - feels himAnd the self , after a
mphisms nis purpose . nu a short time tone and values are also right , without any
spent before it , discordant colour note to call away the attenblocked and tion .
Página 188
E. B. Greenshields, John Ruskin, John Addington Symonds. Tiilerini PUBLIC
LIBE . . ASTOR , LENOX * * tion to the rules of the artist . ” Turner.
E. B. Greenshields, John Ruskin, John Addington Symonds. Tiilerini PUBLIC
LIBE . . ASTOR , LENOX * * tion to the rules of the artist . ” Turner.
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |