Landscape Painting and Modern Dutch Artists |
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Página 6
A wood of great trees is shown on the left , reminding one of Rousseau ' s oaks
on the edge of a forest , and to the right there is seen open country with
mountains in the distance , a very modern composition for that day . ( See Plate 5
. ) ...
A wood of great trees is shown on the left , reminding one of Rousseau ' s oaks
on the edge of a forest , and to the right there is seen open country with
mountains in the distance , a very modern composition for that day . ( See Plate 5
. ) ...
Página 11
For a very There is a superb painting of his in the Na - tullace tional Gallery ,
London , called the “ Chateau and his de Steen , ” in which the castle surrounded
by water is shown against a sunset sky . The by Émile Michel . autumn colouring
...
For a very There is a superb painting of his in the Na - tullace tional Gallery ,
London , called the “ Chateau and his de Steen , ” in which the castle surrounded
by water is shown against a sunset sky . The by Émile Michel . autumn colouring
...
Página 26
And in Holland , Rembrandt , Ruysdael , and Hals appear after the years of
patriotic endurance and courage shown in the war with , and the defeat of , the
mighty power of Spain . Similarly we see in England that its greatest artistic
period ...
And in Holland , Rembrandt , Ruysdael , and Hals appear after the years of
patriotic endurance and courage shown in the war with , and the defeat of , the
mighty power of Spain . Similarly we see in England that its greatest artistic
period ...
Página 45
... noble his opinions on the whole question of art can be at times is shown when
he comes under the spell of the overpowering genius of Turner , who with all his
knowledge subjected everything to the higher ends of mystery and imagination .
... noble his opinions on the whole question of art can be at times is shown when
he comes under the spell of the overpowering genius of Turner , who with all his
knowledge subjected everything to the higher ends of mystery and imagination .
Página 64
... as undoubtedly the first feeling of the student or observer is to look for mere
likeness . He cannot , indeed , understand any other view of pictures , until he
feels the effect of imagination and idealism as shown in them . Then all is
changed .
... as undoubtedly the first feeling of the student or observer is to look for mere
likeness . He cannot , indeed , understand any other view of pictures , until he
feels the effect of imagination and idealism as shown in them . Then all is
changed .
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |