Landscape Painting and Modern Dutch Artists |
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... is understood , it well repays anyone to learn as much as possible of the
processes by which the artists produce their pictures , the drawing of form , the
skilful use of colour , the attainment of perfect tone , the composition of graceful
lines and ...
... is understood , it well repays anyone to learn as much as possible of the
processes by which the artists produce their pictures , the drawing of form , the
skilful use of colour , the attainment of perfect tone , the composition of graceful
lines and ...
Página 44
2 “ Modern " Poussin ' s picture , in which every vineleaf is drawn with
consummate skill , produces a perfect tree group . ” 3 “ The background of Sir
Joshua Reynolds ' s Holy Family , owing to the utter neglect of all botanical detail
, has lost ...
2 “ Modern " Poussin ' s picture , in which every vineleaf is drawn with
consummate skill , produces a perfect tree group . ” 3 “ The background of Sir
Joshua Reynolds ' s Holy Family , owing to the utter neglect of all botanical detail
, has lost ...
Página 51
Talking of the critic - writer , who had no technical knowledge of painting , he says
: “ Meanwhile the painter ' s poetry is “ Ten quite lost to him ; the amazing
invention that och Whistler . shall have put form and colour into such perfect
harmony ...
Talking of the critic - writer , who had no technical knowledge of painting , he says
: “ Meanwhile the painter ' s poetry is “ Ten quite lost to him ; the amazing
invention that och Whistler . shall have put form and colour into such perfect
harmony ...
Página 59
They come into his head involuntarily . An entirely imperative dream has taken
possession of him ; he can see and do no otherwise than as the dream directs .
No happy chance , nay , no happy thought , no perfect knowledge , will ever take
...
They come into his head involuntarily . An entirely imperative dream has taken
possession of him ; he can see and do no otherwise than as the dream directs .
No happy chance , nay , no happy thought , no perfect knowledge , will ever take
...
Página 66
... with values and tones perfect , and not to look at it as the loving rendering of
the resigned figure , sitting in her room in the twilight of life , by one who owed so
much to her and wished to express his affection and gratitude by portraying her ...
... with values and tones perfect , and not to look at it as the loving rendering of
the resigned figure , sitting in her room in the twilight of life , by one who owed so
much to her and wished to express his affection and gratitude by portraying her ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |