Landscape Painting and Modern Dutch Artists |
Dentro del libro
Resultados 1-5 de 22
Página
ARS LONGA , VITA BREVIS ” The years are fading fast , But we will not complain
, While you and I outlast The past , And love and hope remain . So let us just keep
still , While time flies far away , And loiter on the hill , At will , Forever and a day ...
ARS LONGA , VITA BREVIS ” The years are fading fast , But we will not complain
, While you and I outlast The past , And love and hope remain . So let us just keep
still , While time flies far away , And loiter on the hill , At will , Forever and a day ...
Página 17
... artists that connects the present with the past . ( See Plate 10 . ) He early
became dissatisfied with painting nature for its own A BRIEF HISTORY.
... artists that connects the present with the past . ( See Plate 10 . ) He early
became dissatisfied with painting nature for its own A BRIEF HISTORY.
Página 29
They were still occupied with a past art , but they were the precursors of the
modern Dutch School . The first sign of a change is to be found , strangely
enough , in the work of an artist who occupied himself nearly altogether with the
interiors of ...
They were still occupied with a past art , but they were the precursors of the
modern Dutch School . The first sign of a change is to be found , strangely
enough , in the work of an artist who occupied himself nearly altogether with the
interiors of ...
Página 31
And so it is not the aim of these masters to emulate or copy the great men of a
past age . They are full of modern ideas and endeavour to solve the problems of
their own day and generation . It is vain to hark back to the days of Raphael or ...
And so it is not the aim of these masters to emulate or copy the great men of a
past age . They are full of modern ideas and endeavour to solve the problems of
their own day and generation . It is vain to hark back to the days of Raphael or ...
Página 32
away from the past traditions of art in their country , and , going direct to nature ,
strove , by careful study , to give a truthful view , each as he saw it , of her many
changing moods . This individual way of painting what they saw makes these
men ...
away from the past traditions of art in their country , and , going direct to nature ,
strove , by careful study , to give a truthful view , each as he saw it , of her many
changing moods . This individual way of painting what they saw makes these
men ...
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |