Landscape Painting and Modern Dutch Artists |
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PREFACE I PUBLISHED last year an essay on the “ Subjective View of
Landscape Painting . ” As the edition has been distributed and there is a demand
for more copies , I decided , considering the importance of the subject and the
interest it ...
PREFACE I PUBLISHED last year an essay on the “ Subjective View of
Landscape Painting . ” As the edition has been distributed and there is a demand
for more copies , I decided , considering the importance of the subject and the
interest it ...
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must be accurate resemblance , as nature furnishes the symbols the artist uses to
express his ideas , and these must be painted so as to be understood ; and the
technical skill necessary to adequately produce the effect desired must also be ...
must be accurate resemblance , as nature furnishes the symbols the artist uses to
express his ideas , and these must be painted so as to be understood ; and the
technical skill necessary to adequately produce the effect desired must also be ...
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Its universality , its grandeur , its loneliness , its responsiveness to the moods of
humanity , have drawn to it all the lovers of the beautiful in nature , and the
greatest artists have striven to paint its loveliness and the manner in which their
own ...
Its universality , its grandeur , its loneliness , its responsiveness to the moods of
humanity , have drawn to it all the lovers of the beautiful in nature , and the
greatest artists have striven to paint its loveliness and the manner in which their
own ...
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The springtime of the revival came in painting with Cimabue , ' Duccio , ' and
Giotto , 3 1240 – 1302 . and in literature with Dante and Petrarch . 1966 - 1727 . 2
1260 - 1320 . Painting in the Renaissance took the place that sculpture did
among ...
The springtime of the revival came in painting with Cimabue , ' Duccio , ' and
Giotto , 3 1240 – 1302 . and in literature with Dante and Petrarch . 1966 - 1727 . 2
1260 - 1320 . Painting in the Renaissance took the place that sculpture did
among ...
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From the beginning of this new life in art there are traces of interest in landscape
painting , but until the commencement of the seventeenth century it was treated
as a subordinate matter . It was used mainly as an accessory of figure painting ...
From the beginning of this new life in art there are traces of interest in landscape
painting , but until the commencement of the seventeenth century it was treated
as a subordinate matter . It was used mainly as an accessory of figure painting ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |