Landscape Painting and Modern Dutch Artists |
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Página 12
He is somewhat cold and formal , but his style is very original . He is opposed to
naturalism , the taking of nature literally as it is seen . On the contrary his pictures
are full of thought , and he describes painting as “ an image of things incorporeal
...
He is somewhat cold and formal , but his style is very original . He is opposed to
naturalism , the taking of nature literally as it is seen . On the contrary his pictures
are full of thought , and he describes painting as “ an image of things incorporeal
...
Página 22
They were all original and creative men , with a special love of nature and the gift
of being able to reproduce their ideas on canvas . Each had his own
characteristic views about art , and his own very individual manner and treatment
.
They were all original and creative men , with a special love of nature and the gift
of being able to reproduce their ideas on canvas . Each had his own
characteristic views about art , and his own very individual manner and treatment
.
Página 33
This is the reason of their greatness ; they were original and self - revealing , their
insight went further and deeper than that of others , and they painted with 1 “ Only
great technical skill what they each saw , in a emotional way that showed how ...
This is the reason of their greatness ; they were original and self - revealing , their
insight went further and deeper than that of others , and they painted with 1 “ Only
great technical skill what they each saw , in a emotional way that showed how ...
Página 39
ing in their style , original in treatment and John La Farge . most instructive : “ I
remember , years ago , sketching with two well - known men , artists who were
great friends , a passing effect upon the hills that lay before us . Our three
sketches ...
ing in their style , original in treatment and John La Farge . most instructive : “ I
remember , years ago , sketching with two well - known men , artists who were
great friends , a passing effect upon the hills that lay before us . Our three
sketches ...
Página 49
There is one gift indispensable to all artists ; no study , no degree of patience ,
supplies its place . In confronting objects the artist must experience original
sensation ; the character of an object strikes him and the effect of VARIOUS
OPINIONS ...
There is one gift indispensable to all artists ; no study , no degree of patience ,
supplies its place . In confronting objects the artist must experience original
sensation ; the character of an object strikes him and the effect of VARIOUS
OPINIONS ...
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able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches colour comes composition Constable critic detail drawing Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period Plate poetry poets produced PUBLIC realistic render reveal scene seems seen shown shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Biblioteca Pública de Nueva York |
| Digitalizado | 13 Mayo 2008 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |